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John Sheppard [Musiktryck] 3 Hymns, psalms, antiphons and other Latin polyphony / John Sheppard ; transcribed and edited by Magnus Williamson.

Av:

Sheppard, John, ca 1515-ca 1560 [cmp]

Medverkande:

Sandon, Nicholas [edt]

Språk: Latin Serie: Early English church music ; 54Utgivning: London : Stainer and Bell, cop. 2012Beskrivning: 1 part. (xxxiii, 269 s.)ISBN:

9780852499023

Ämne:

Storbritannien

Genre/Form:

DDK-klassifikation:

782.292 23/swe

SAB-klassifikation:

Xb-e.38
Xqed

Innehåll:

Hymns. Te Deum laudamus ; Hymns for Compline. Salvator mundi Domine ; Jesu salvator saeculi verbum ; Festal hymns: Temporale. A solis ortus cardine ; Sancte Dei pretiose ; Hostis Herodes impie ; Aeterne rex altissime ; Jam Christus astra ; Beata nobis gaudia ; Adesto Sancta Trinitas I ; Adesto Sancta Trinitas II ; Sacris solemniis ; Festal hymns: Proprium Sanctorum. Ave maris stella ; Jesu salvator saeculi redemptis ; Christe redemptor omnium ; Festal hymns: Commune Sanctorum. Deus tuorum militum I ; Deus tuorum militum II ; Martyr Dei qui unicum ; Antiphons and other ritual polyphony. Laudes Deo dicam ; Media vita in morte sumus ; Kyrie Lux et origo ; Libera nos salva nos I ; Libera nos salva nos II ; Magnificat a 6 ; Settings of Old Testament texts. Judica me Deus ; Deus misereatur nostril ; Inclina Domine I ; Inclina Domine II ; Beati omnes qui timent Dominum ; Confitebor tibi Domine ; Settings of devotional texts. Gaude virgo Christiphera ; Illustrissima omnium (fragment) ; Igitur O Jesu (fragment) ; Singularis privilegii (fragment)

Sammanfattning: "This is an important addition to the pair of consecutive EECM volumes of John Sheppard’s Latin compositions for the Use of Salisbury published in the 1970s. Although he had evidently mastered the forms of Mass and votive antiphon, the composer is at his most characteristic in his settings of the plainsong melodies which form the bedrock of the Sarum liturgy. These account for most of the contents of this volume, together with free-composed settings of Biblical texts and a small corpus of devotional polyphony, most of it fragmentary. In general, textural richness is cultivated in preference to long arcs of melisma, and perfect time is favoured over imperfect, creating a directness of expression that seems to typify mid-Tudor polyphony. The format of this volume follows EECM’s house style for post-Reformation composers." - UtgivarenAnmärkning bestånd: REF | Xa | EECM 54 | EJ HEMLÅN

Holdings ( 1 )
Title notes ( 5 )

Holdings
Cover image	Item type	Current library	Home library	Collection	Shelving location	Call number	Materials specified	Vol info	URL	Copy number	Status	Notes	Date due	Barcode	Item holds	Item hold queue priority	Course reserves
	Score, reading onsite	Musik- och teaterbiblioteket Referens, inre bokhall		Partitur		REF Xa EECM 54					Available (Endast läsesalslån / Onsite reading only)			26201844594

Total holds: 0

För 2-7 röster

"This is an important addition to the pair of consecutive EECM volumes of John Sheppard’s Latin compositions for the Use of Salisbury published in the 1970s. Although he had evidently mastered the forms of Mass and votive antiphon, the composer is at his most characteristic in his settings of the plainsong melodies which form the bedrock of the Sarum liturgy. These account for most of the contents of this volume, together with free-composed settings of Biblical texts and a small corpus of devotional polyphony, most of it fragmentary. In general, textural richness is cultivated in preference to long arcs of melisma, and perfect time is favoured over imperfect, creating a directness of expression that seems to typify mid-Tudor polyphony. The format of this volume follows EECM’s house style for post-Reformation composers." - Utgivaren

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