My beloved man : the letters of Benjamin Britten and Peter Pears / edited by Vicki P. Stroeher, Nicholas Clark and Jude Brimmer.

Av: Medverkande: Språk: Engelska Serie: Aldeburgh studies in music ; 11Utgivning: Woodbridge : Boydell & Brewer Ltd. 2016Beskrivning: xx, 452 s., [16] pl.-s. illISBN:
  • 9781783271085
Ämne: Genre/Form: DDK-klassifikation:
  • 780.922 23/swe
SAB-klassifikation:
  • Ijz Britten, Benjamin
  • Ijz Pears, Peter
Sammanfattning: This volume comprises the complete surviving correspondence between Benjamin Britten and Peter Pears. The 365 letters written throughout their 39-year relationship are here brought together and published, as Pears intended, for the first time. While the correspondence provides valuable evidence of the development of Britten's works, more significant is theinsight into his relationship with Pears and their day-to-day life together. Entertaining to read, domestic and intimate, the letters provide glimpses of cultural and artistic life in the twentieth century, including pacifism and conscientious objection, critical assessments of music and other artists, transport and communications development in the twentieth century, the 'Aldeburgh corpses', artcollecting, gossip, everyday life in an English country house, the development of the Aldeburgh Festival, performance practice in early music, looking after dachshunds, travel, and a host of other topics. Above all, when read together, Britten and Pears's letters allow the clearest possible look 'behind the scenes' of one of the most productive creative partnerships of the twentieth century
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Book Musik- och teaterbiblioteket Magasin A B31.495 Available 26201853398
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Innehåller bibliografi och index

This volume comprises the complete surviving correspondence between Benjamin Britten and Peter Pears. The 365 letters written throughout their 39-year relationship are here brought together and published, as Pears intended, for the first time. While the correspondence provides valuable evidence of the development of Britten's works, more significant is theinsight into his relationship with Pears and their day-to-day life together. Entertaining to read, domestic and intimate, the letters provide glimpses of cultural and artistic life in the twentieth century, including pacifism and conscientious objection, critical assessments of music and other artists, transport and communications development in the twentieth century, the 'Aldeburgh corpses', artcollecting, gossip, everyday life in an English country house, the development of the Aldeburgh Festival, performance practice in early music, looking after dachshunds, travel, and a host of other topics. Above all, when read together, Britten and Pears's letters allow the clearest possible look 'behind the scenes' of one of the most productive creative partnerships of the twentieth century

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