Innehåller index samt bibliografiska referenser (s.317-334)

Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance / James Frieze -- Part I. Participant as co-designer: critical reflections -- On Being Immersed: The Pleasure of Being: Washing, Feeding, Holding / Josephine Machon -- In the Body of the Beholder: Insider Dynamics and Extended Audiencing Transform Dance Spectatorship in Sleep No More / Julia Ritter -- Troubling Bodies in Follow the North Star / Ruth Laurion Bowman -- Experiencing Michael Mayhew’s Away in a Manger: Spectatorial Immersion in Durational Performance / Roberta Mock -- Integrating Realities Through Immersive Gaming / Lindsay Brandon Hunter -- Negotiating the Possible Worlds of Uninvited Guests’ Make Better Please: A Hypertextual Experience / Elizabeth Swift -- Outdoors: A Rimini Protokoll Theatre-Maze / Esther Belvis Pons -- Immersed in Sound: Kursk and the Phenomenology of Aural Experience / George Home-Cook -- Reflections on Immersion and Interaction -- Caravania!: Intimacy and Immersion for Family Audiences / Adam Ledger -- A Dramaturgy of Participation: Participatory Rituals, Immersive Environments, and Interactive Gameplay in Hotel Medea / Jorge Ramos -- She Wants You to Kiss Her: Negotiating Risk in the Immersive Theatre Contract / Richard Talbot -- The Fourth Wall and Other Ruins: Immersive Theatre as a Brand / Rachael Blyth -- Immersive Performance and the Marketplace: The Hit / Sherill Gow -- Spectral Illusions: Ghostly Presence in Phantasmagoria Shows / Nele Wynants -- Playing a Punchdrunk Game: Immersive Theatre and Videogaming / Rosemary Klich -- Proximity to Violence: War, Games, Glitch / James Ball -- The Promise of Experience: Immersive Theatre in the Experience Economy / Adam Alston -- Differences in Degree or Kind? Ockham’s Razor’s Not Until We Are Lost and Punchdrunk’s The Drowned Man: A Hollywood Fable / Gearldine Harris -- Coriolan/us and the Limits of ’Immersive’ / Andrew Filmer -- Participation, Ecology, Cosmos / Carl Lavery.