Women, rhetoric, and drama in early modern Italy / Alexandra Coller.

Av: Språk: Engelska Utgivning: New York : Routledge, 2017Utgivning: New York : Routledge, 2017Beskrivning: x, 282 sidor 25 cmInnehållstyp:
  • text
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9781472478818
Ämne: DDK-klassifikation:
  • 852.4093522 23/swe
Innehåll:
Introduction: Women, Rhetoric, and Drama in Early Modern Italy -- Part I. Women as Protagonists in Male-Authored Drama: Comedy and Tragedy. 1. Fathers, Daughters, Crossdressing, and Names: Women, Rhetoric, and Education in Commedia Erudita -- Coda: "Margherita Costa's Li buffoni (1641): The First (Extant) Female-Authored Scripted Comedy” -- 2. Fashioning a Genealogy: The Rhetoric of Friendship and Female Virtue in Italian Renaissance Tragedy -- Coda: Valeria Miani's Celinda (1611) among Fin de Siecle Italian Tragedies -- Part II. Women as Authors/Women as Protagonists: Pastoral Tragicomedy. 3. Women Writers and the Canon: Satyr Scenes and Female-Authored Pastoral Drama -- 4. Isabetta Coreglia's Dori (1634): Writing Pastoral Drama Against the Backdrop of the Male Canon and an Incipient Female-Authored Tradition -- 5. Isabetta Coreglia's Erindo il fido (1650) and Isabella Andreini's Mirtilla (1588): Using a Female-Authored Classic as Paradigm.
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Book Musik- och teaterbiblioteket Magasin A B31.595 Available 26201845753
Total holds: 0

Innehåller index samt bibliografiska referenser

Introduction: Women, Rhetoric, and Drama in Early Modern Italy -- Part I. Women as Protagonists in Male-Authored Drama: Comedy and Tragedy. 1. Fathers, Daughters, Crossdressing, and Names: Women, Rhetoric, and Education in Commedia Erudita -- Coda: "Margherita Costa's Li buffoni (1641): The First (Extant) Female-Authored Scripted Comedy” -- 2. Fashioning a Genealogy: The Rhetoric of Friendship and Female Virtue in Italian Renaissance Tragedy -- Coda: Valeria Miani's Celinda (1611) among Fin de Siecle Italian Tragedies -- Part II. Women as Authors/Women as Protagonists: Pastoral Tragicomedy. 3. Women Writers and the Canon: Satyr Scenes and Female-Authored Pastoral Drama -- 4. Isabetta Coreglia's Dori (1634): Writing Pastoral Drama Against the Backdrop of the Male Canon and an Incipient Female-Authored Tradition -- 5. Isabetta Coreglia's Erindo il fido (1650) and Isabella Andreini's Mirtilla (1588): Using a Female-Authored Classic as Paradigm.

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