APA

Brossard S. d., Grassineau J., . (1740). A musical dictionary; being a collection of terms and characters, as well ancient as modern; including the historical, theoretical, and practical parts of music: as also, an explanation of some parts of the doctrine of the antients; interspersed with remarks on their method and practice, and curious observations on the phœnomena of sound mathematically considered, as it's relations and proportions constitute intervals, and those again concords and discords. The whole carefully abstracted from the best authors in the Greek, Latin, Italian, French, and English languages. By James Grassineau. London: printed [by C. Jephson in West Smithfield.] for J. Wilcox, at Virgil's Head opposite the New Church in the Strand. 1740: .

Chicago

Brossard Sébastien de, Grassineau James, . 1740. A musical dictionary; being a collection of terms and characters, as well ancient as modern; including the historical, theoretical, and practical parts of music: as also, an explanation of some parts of the doctrine of the antients; interspersed with remarks on their method and practice, and curious observations on the phœnomena of sound mathematically considered, as it's relations and proportions constitute intervals, and those again concords and discords. The whole carefully abstracted from the best authors in the Greek, Latin, Italian, French, and English languages. By James Grassineau. London: printed [by C. Jephson in West Smithfield.] for J. Wilcox, at Virgil's Head opposite the New Church in the Strand. 1740: .

Harvard

Brossard S. d., Grassineau J., . (1740). A musical dictionary; being a collection of terms and characters, as well ancient as modern; including the historical, theoretical, and practical parts of music: as also, an explanation of some parts of the doctrine of the antients; interspersed with remarks on their method and practice, and curious observations on the phœnomena of sound mathematically considered, as it's relations and proportions constitute intervals, and those again concords and discords. The whole carefully abstracted from the best authors in the Greek, Latin, Italian, French, and English languages. By James Grassineau. London: printed [by C. Jephson in West Smithfield.] for J. Wilcox, at Virgil's Head opposite the New Church in the Strand. 1740: .

MLA

Brossard Sébastien de, Grassineau James, . A musical dictionary; being a collection of terms and characters, as well ancient as modern; including the historical, theoretical, and practical parts of music: as also, an explanation of some parts of the doctrine of the antients; interspersed with remarks on their method and practice, and curious observations on the phœnomena of sound mathematically considered, as it's relations and proportions constitute intervals, and those again concords and discords. The whole carefully abstracted from the best authors in the Greek, Latin, Italian, French, and English languages. By James Grassineau. London: printed [by C. Jephson in West Smithfield.] for J. Wilcox, at Virgil's Head opposite the New Church in the Strand. 1740: . 1740.