Sonic thinking : a media philosophical approach / edited by Bernd Herzogenrath.

Contributor(s): Series: Thinking mediaPublisher: New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc, 2017Description: xvii, 320 pages ; 23 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 978-1-5013-2720-9 (hardback : alk. paper)
  • 1-5013-2720-8 (hardback : alk. paper)
Subject(s): Additional physical formats: Online version:: Sonic thinkingDDC classification:
  • 110 23
LOC classification:
  • B105.S59 H47 2017
Other classification:
  • Dj
Contents:
sound thinking {u2013} An Introduction / Bernd Herzogenrath -- Time/Place/Memory. Artistic Research as a Form of Thinking-Through-Media / Krien Clevis -- sonic thought i. Walking into Sound / Lasse-Marc Riek -- Soundscape as a System and an Auditory Gestalt / Sabine Breitsameter -- Memories of Memories of Memories of Memories: Remembering and Recording on The Silent Mountain / Angus Carlyle -- sonic thought iii. Thaumaturgical Topography: Place, Sound and Non-Thinking / Thomas Köner -- sonic thought ii. The Sounds of Things / Heiner Goebbels -- Sonic Thought / Christoph Cox -- in
Summary: Sonic Thinking attempts to extend the burgeoning field of media philosophy, which so far is defined by a strong focus on cinema, to the field of sound. The contributors urge readers to re-adjust their ideas of Sound Studies by attempting to think not only about sound [by external criteria, such as (cultural) meaning], but to think with and through sound. Series editor Bernd Herzogenrath's collection serves two interconnected purposes: in developing an alternative philosophy of music that takes music serious as a `form of thinking'; and in bringing this approach into a fertile symbiosis with the concepts and practices of `artistic research': art, philosophy, and science as heterogeneous, yet coequal forms of thinking and researching. Including contributions by both established figures and younger scholars working on cutting edge material, and weaving artistic responses and interventions in between the more theoretical texts, Herzogenrath's collection provides a lively introduction to a fresh debate.
Holdings
Item type Current library Call number Materials specified Status Date due Barcode Item holds
Book Musik- och teaterbiblioteket Elektronmusikstudion EMS EMS : G2 Available (Längre framtagningstid) 26201828396
Total holds: 0

Includes bibliographical references and index

sound thinking {u2013} An Introduction / Bernd Herzogenrath -- Time/Place/Memory. Artistic Research as a Form of Thinking-Through-Media / Krien Clevis -- sonic thought i. Walking into Sound / Lasse-Marc Riek -- Soundscape as a System and an Auditory Gestalt / Sabine Breitsameter -- Memories of Memories of Memories of Memories: Remembering and Recording on The Silent Mountain / Angus Carlyle -- sonic thought iii. Thaumaturgical Topography: Place, Sound and Non-Thinking / Thomas Köner -- sonic thought ii. The Sounds of Things / Heiner Goebbels -- Sonic Thought / Christoph Cox -- in uman rhythms / Bernd Herzogenrath -- Sound Without Organs: Inhuman Refrains & the Speculative Potential of a Cosmos-Without-Us / Jason Wallin & Jessie Beier -- Buzzing off ... Toward Sonic Thinking / Christoph Lischka -- Sound beyond Nature/Sound beyond Culture, or: Why is the Prague Golem mute? / Jakob Ullmann -- sonic thought iv. One Dimensional Music Without Context Or Meaning / Mark Fell -- How to Think Sonically? On the Generativity of the Flesh / Holger Schulze -- Immanent Non-Musicology: Deleuze

Sonic Thinking attempts to extend the burgeoning field of media philosophy, which so far is defined by a strong focus on cinema, to the field of sound. The contributors urge readers to re-adjust their ideas of Sound Studies by attempting to think not only about sound [by external criteria, such as (cultural) meaning], but to think with and through sound. Series editor Bernd Herzogenrath's collection serves two interconnected purposes: in developing an alternative philosophy of music that takes music serious as a `form of thinking'; and in bringing this approach into a fertile symbiosis with the concepts and practices of `artistic research': art, philosophy, and science as heterogeneous, yet coequal forms of thinking and researching. Including contributions by both established figures and younger scholars working on cutting edge material, and weaving artistic responses and interventions in between the more theoretical texts, Herzogenrath's collection provides a lively introduction to a fresh debate.

Imported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)

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