Medieval theatre performance : actors, dancers, automata and their audiences / edited by Philip Butterworth and Katie Normington.

Innehåller index samt bibliografiska referenser (s.239-274)

Introduction -- From Archive to Repertoire: The Disguising at Hertford and Performance Practices / Claire Sponsler -- Walk, Talk, Sit, Quit? On What Happens in Netherlandish Rhetoricians' Plays / Bert Ramakers -- Performing Intrusions: Interaction and Interaxionality in Medieval English Theatre / Tom Pettitt -- Player Transformation: The Role of Clothing and Disguise / Katie Normington -- Pavilioned in Splendour: Performing Heaven in Fifteenth-Century Florence / Nerida Newbigin -- Living Pictures: Drama without Text, Drama without Action / David Klausner -- Performer-Audience Relationships in Fifteenth- and Sixteenth-Century Danced Spectacles / Jennifer Nevile -- Decadance in the Late Middle Ages: The Case of Choreomania / Kathryn Emily Dickason -- Writing, Telling and Showing Horsemanship in Rhetoricians' Farce / Femke Kramer -- Inanimate Performers: The Animation and Interpretive Versatility of the Palmesel / Max Harris -- 'lyke unto a lyvelye thyng': The Boxley Rood of Grace and Medieval Performance / Leanne Groeneveld -- The Mechanycalle 'Ymage off Seynt Iorge' at St Botolph's, Billingsgate, 1474 / Philip Butterworth.