Consuming music : individuals, institutions, communities, 1730-1830 / edited by Emily H. Green and Catherine Mayes.

Medverkande: Språk: Engelska Serie: Eastman studies in music ; v. 138Utgivning: Rochester : University of Rochester Press, 2017Beskrivning: vi, 255 sidor illustrationer, musiknoterInnehållstyp:
  • text
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9781580465779
Ämne: DDK-klassifikation:
  • 780.9033 23/swe
LC-klassifikation:
  • ML112
Innehåll:
Music's first consumers: publishers in the late eighteenth century / Emily H. Green ; Inside a Viennese Kunsthandlung: Artaria in 1784 / Rupert Ridgewell ; Morality and the "fair-sexing" of Telemann's Faithful music master / Steven Zohn ; Eighteenth-century mediations of music theory: meter, tempo and affect in print / Roger Mathew Grant ; Musical style as commercial strategy in Romantic chamber music / Marie Sumner Lott ; In Vienna "only waltzes get printed": the decline and transformation of the Contredanse hongroise in the early nineteenty century / Catherine Mayes ; The power to please: gender and celebrity self-commodification in the early American republic / Glenda Goodman ; Exchanging ideas in a changing world. Adolph Bernhard Marx and the Berliner allgemeine musikalische Zeitung in 1824 / Patrick Wood Uribe ; Parisian opera between commons an commodity, ca. 1830 / Peter Mondelli
Sammanfattning: The successful sale and distribution of music has always depended on a physical and social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture. Who bought music and how did those consumers know what music was available? Where was it sold and by whom? How did the consumption of music affect its composition? How was consumers' musical taste shaped and by whom? Focusing on the long eighteenth century, this collection of nine essays investigates such questions from a variety of perspectives, each informed by parallels between the consumption of music and that of dance, visual art, literature, and philosophy in France, the Austro-German lands, and the United States. Chapters relate the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics, exploring consumers' tastes, publishers' promotional strategies, celebrity culture, and the wider communities that were fundamental to these and many more aspects of musical culture
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Magasin A B31.798 Available 26201843687
Total holds: 0

Music's first consumers: publishers in the late eighteenth century / Emily H. Green ; Inside a Viennese Kunsthandlung: Artaria in 1784 / Rupert Ridgewell ; Morality and the "fair-sexing" of Telemann's Faithful music master / Steven Zohn ; Eighteenth-century mediations of music theory: meter, tempo and affect in print / Roger Mathew Grant ; Musical style as commercial strategy in Romantic chamber music / Marie Sumner Lott ; In Vienna "only waltzes get printed": the decline and transformation of the Contredanse hongroise in the early nineteenty century / Catherine Mayes ; The power to please: gender and celebrity self-commodification in the early American republic / Glenda Goodman ; Exchanging ideas in a changing world. Adolph Bernhard Marx and the Berliner allgemeine musikalische Zeitung in 1824 / Patrick Wood Uribe ; Parisian opera between commons an commodity, ca. 1830 / Peter Mondelli

The successful sale and distribution of music has always depended on a physical and social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture. Who bought music and how did those consumers know what music was available? Where was it sold and by whom? How did the consumption of music affect its composition? How was consumers' musical taste shaped and by whom? Focusing on the long eighteenth century, this collection of nine essays investigates such questions from a variety of perspectives, each informed by parallels between the consumption of music and that of dance, visual art, literature, and philosophy in France, the Austro-German lands, and the United States. Chapters relate the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics, exploring consumers' tastes, publishers' promotional strategies, celebrity culture, and the wider communities that were fundamental to these and many more aspects of musical culture

Imported from: lx2.loc.gov:210/LCDB (Do not remove)

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