Absolute sounding images: abstract film and radio drama of the 1920s as complementary forms of a media-specific art / Dieter Daniels -- A primitivism of the senses: the role of music in Len Lye's experimental animation / Malcolm Cook -- An education avant-garde: sound and music in Julien Bryan's OIAA films on Latin America, 1942-1949 / James Tobias -- "bump...bup...bup": aural innovation in the films of Norman McLaren / Terence Dobson -- Sights and sounds of the moving mind: the visionary sountracks of Stan Brakhage / Eric Smigel -- Discontinuities and resynchronisations: the use of sound in Polish experimental cinema from the 1930s to the 1980s / Daniel Muzyczuk -- Grid intensities: hearing structures in Chantal Akerman's films of the 1970s / Paul Hegarty -- Meaning and musicality: sound-image relations in the films of John Smith / Andy Birtwistle -- Audiovisual dissonance in found-footage film / Holly Rogers -- Rebalancing the picture-sound relationship: the audiovisual compositions of Lis Rhodes / Aimee Mollaghan -- Sounding decay in the digital age: "audio-visions" of Decasia (2002) and Lyrical nitrate (1991) -- The sound of queer experimental film / Juan A. Suâarez -- Avant-gardists and the lure of pop music / Carol Vernallis -- The music of Gustav Mahler in experimental film contexts: questions of visual music and intermedial theory / Jeremy Barham.