Liszt's representation of instrumental sounds on the piano : colors in black and white / Hyun Joo Kim.

Av: Språk: Engelska Serie: Eastman studies in music ; 153Utgivning: New York : University of Rochester Press, 2019Beskrivning: 231 sidor illustrationer, musiknoterInnehållstyp:
  • text
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9781580469463
Ämne: DDK-klassifikation:
  • 786.2092 23/swe
Innehåll:
Approaching the reproductive arts -- "Partitions de piano" -- Between "text" and "event": Liszt's Guillaume Tell overture -- Translating the orchestra: Liszt's two-piano arrangements of his symphonic poems -- Interpretive fidelity to gypsy creativity: Liszt's representations of Hungarian gypsy -- Cimbalom playing
Sammanfattning: Liszt's adaptation of existing music is staggering in its quantity, scope, and variety of technique. He often viewed the model work as a source that he strove to improve, rival, and even surpass. Liszt's Representation of Instrumental Sounds on the Piano: Colors in Black and White provides a comprehensive survey of Liszt's reworking of instrumental music on the piano, particularly his emulation of tone colors and idiomatic gestures. The book relates Liszt's sonic reproductions to the widespread nineteenth-century interest in visual-art reproduction. Hyun Joo Kim illustrates Liszt's diverse approaches to the integrity of the music in a detailed, vivid, and insightful manner through close study of his arrangements of Beethoven's symphonies and Rossini's Guillaume Tell Overture, his two-piano arrangements of his own symphonic poems such as Mazeppa and Hunnenschlacht, and his Hungarian Rhapsodies. By examining orchestral music and Hungarian-Gypsy-style music as sources of Liszt's sound representations, this book reveals Liszt's musical discourse as straddling the musical, cultural, and aesthetic divides between mainstream and peripheral, art and folk, serious and popular
Holdings
Item type Current library Call number Status Barcode
Book Musik- och teaterbiblioteket Magasin A B32.458 Available 26201854816
Total holds: 0

Innehåller bibliografi och index

Approaching the reproductive arts -- "Partitions de piano" -- Between "text" and "event": Liszt's Guillaume Tell overture -- Translating the orchestra: Liszt's two-piano arrangements of his symphonic poems -- Interpretive fidelity to gypsy creativity: Liszt's representations of Hungarian gypsy -- Cimbalom playing

Liszt's adaptation of existing music is staggering in its quantity, scope, and variety of technique. He often viewed the model work as a source that he strove to improve, rival, and even surpass. Liszt's Representation of Instrumental Sounds on the Piano: Colors in Black and White provides a comprehensive survey of Liszt's reworking of instrumental music on the piano, particularly his emulation of tone colors and idiomatic gestures. The book relates Liszt's sonic reproductions to the widespread nineteenth-century interest in visual-art reproduction. Hyun Joo Kim illustrates Liszt's diverse approaches to the integrity of the music in a detailed, vivid, and insightful manner through close study of his arrangements of Beethoven's symphonies and Rossini's Guillaume Tell Overture, his two-piano arrangements of his own symphonic poems such as Mazeppa and Hunnenschlacht, and his Hungarian Rhapsodies. By examining orchestral music and Hungarian-Gypsy-style music as sources of Liszt's sound representations, this book reveals Liszt's musical discourse as straddling the musical, cultural, and aesthetic divides between mainstream and peripheral, art and folk, serious and popular

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