Critical approaches to the production of music and sound / [edited by] Samantha Bennett and Eliot Bates.

Medverkande: Språk: Engelska Utgivning: New York, NY : Bloomsbury Academic, 2018Utgivningstid: ©2018Beskrivning: xii, 274 pages illustrationsInnehållstyp:
  • text
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9781501332050
Ämne: DDK-klassifikation:
  • 781.49 23/swe
LC-klassifikation:
  • ML3790 .C77 2017
Innehåll:
List of Figures -- List of Tables -- List of Contributors -- Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique / Eliot Bates and Samantha Bennett -- Section 1: Situating Production: Place, Space and Gender. Chapter 2: Field Recording and the Production of Place / Tom Western (University of Edinburgh, Scotland) -- Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production / Damon Minchella (University of Birmingham, England) -- Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches / Paula Wolfe (Sib Records, England) -- Section 2: Beyond Representation. Chapter 5: Producing TV Series Music in Istanbul / Eliot Bates (City University of New York, USA) -- Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music / Karl Neuenfeldt (Queensland Conservatorium, Griffith University, Australia) -- Section 3: Electronic Music. Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education / Patrick Valiquet (University of Edinburgh, UK) -- Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance / Mike D'Errico (UCLA, USA) -- Section 4: Technology and Technique Chapter. 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology / Alan Williams (UMASS, Lowell, USA) -- Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair / Owen Marshall (Cornell University, USA) -- Section 5: Mediating Sound and Silence Chapter. 11: Listening To or Through Technology: Opaque and Transparent Mediation / Ragnhild Brovig-Hanssen (University of Oslo, Norway) -- Chapter 12: Six Types of Silence / Richard Osborne (Middlesex University, England) -- Section 6: Virtuality and Online Production. Chapter 13: Intermixtuality: Case Studies in Online Music [Re]ProductionSamantha Bennett (Australian National University, Australia) -- Chapter 14: Crowdfunding and Alternative Modes of ProductionMark Thorley (Coventry University, England) -- Index
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Elektronmusikstudion EMS EMS : H2 Available (Längre framtagningstid / Longer processing time) 26201850016
Total holds: 0

Includes bibliographical references and index.

List of Figures -- List of Tables -- List of Contributors -- Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique / Eliot Bates and Samantha Bennett -- Section 1: Situating Production: Place, Space and Gender. Chapter 2: Field Recording and the Production of Place / Tom Western (University of Edinburgh, Scotland) -- Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production / Damon Minchella (University of Birmingham, England) -- Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches / Paula Wolfe (Sib Records, England) -- Section 2: Beyond Representation. Chapter 5: Producing TV Series Music in Istanbul / Eliot Bates (City University of New York, USA) -- Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music / Karl Neuenfeldt (Queensland Conservatorium, Griffith University, Australia) -- Section 3: Electronic Music. Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education / Patrick Valiquet (University of Edinburgh, UK) -- Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance / Mike D'Errico (UCLA, USA) -- Section 4: Technology and Technique Chapter. 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology / Alan Williams (UMASS, Lowell, USA) -- Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair / Owen Marshall (Cornell University, USA) -- Section 5: Mediating Sound and Silence Chapter. 11: Listening To or Through Technology: Opaque and Transparent Mediation / Ragnhild Brovig-Hanssen (University of Oslo, Norway) -- Chapter 12: Six Types of Silence / Richard Osborne (Middlesex University, England) -- Section 6: Virtuality and Online Production. Chapter 13: Intermixtuality: Case Studies in Online Music [Re]ProductionSamantha Bennett (Australian National University, Australia) -- Chapter 14: Crowdfunding and Alternative Modes of ProductionMark Thorley (Coventry University, England) -- Index

Imported from: lx2.loc.gov:210/LCDB (Do not remove)

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