Sound art revisited / Alan Licht.

Föredragen titel:
  • Sound art
Av: Språk: Engelska Utgivning: New York : Bloomsbury Academic, 2019Beskrivning: xiii, 190 pages illustrations (black and white) 24 cmInnehållstyp:
  • text
  • still image
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9781501333132
  • 1501333135
  • 9781501333774
  • 1501333771
Ämne: DDK-klassifikation:
  • 709.04/074 23
LC-klassifikation:
  • NX650.S68 L52 2019
SAB-klassifikation:
  • Iji
Innehåll:
Prehistories and early manifestations -- Sound and the art world -- Recent sound art.
Sammanfattning: The first edition of Sound Art Revisited (published as Sound Art: Beyond Music, Between Categories) served as a groundbreaking work toward defining this emerging field, and this fully updated volume significantly expands the story to include current research since the book's initial release. Viewed through a lens of music and art histories rather than philosophical theory, it covers dozens of artists and works not found in any other book on the subject. Locating sound art's roots across the centuries from spatialized church music to the technological developments of radio, sound recording, and the telephone, the book traces the evolution of sound installations and sound sculpture, the rise of sound art exhibitions and galleries, and finally looks at the critical cross-pollination that marks some of the most important and challenging art with and about sound being produced today.
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Revised version of: Sound art : beyond music, between categories, published by Rizzoli, 2007.

Includes bibliographical references and index.

Prehistories and early manifestations -- Sound and the art world -- Recent sound art.

The first edition of Sound Art Revisited (published as Sound Art: Beyond Music, Between Categories) served as a groundbreaking work toward defining this emerging field, and this fully updated volume significantly expands the story to include current research since the book's initial release. Viewed through a lens of music and art histories rather than philosophical theory, it covers dozens of artists and works not found in any other book on the subject. Locating sound art's roots across the centuries from spatialized church music to the technological developments of radio, sound recording, and the telephone, the book traces the evolution of sound installations and sound sculpture, the rise of sound art exhibitions and galleries, and finally looks at the critical cross-pollination that marks some of the most important and challenging art with and about sound being produced today.

Imported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)

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