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Maternal Representations in Twenty-First Century Broadway Musicals / Gina Masucci MacKenzie.

Av:

MacKenzie, Gina Masucci [aut]

text

Medietyp:

unmediated

Bärartyp:

volume

ISBN:

9783030323363

Ämne:

DDK-klassifikation:

812.509 23/swe

SAB-klassifikation:

Sammanfattning: "Maternal Representations in Twenty-First Century Broadway Musicals: Stage Mothers analyzes Broadway productions within the context of their presentation and assessment of motherhood and the variety of roles for mother figures. Using a frame of feminist and psychoanalytical positions, Gina MacKenzie establishes, defines, and interprets mother figures in contemporary Broadway, according to original categorizations of the absent, inconsequential, and overbearing mothers. MacKenzie considers how and why commercial representation of mother figures are limited and predominantly negative, even as fiction, poetry, and other forms of drama offer a much wider and progressive view of the varieties of motherhood possible in society, asserting the need for greater representation of mother figures in commercial musical theatre today."

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Titelanmärkningar ( 2 )

Bestånd
Exemplartyp	Aktuellt bibliotek	Hyllsignatur	Status	Streckkod
Bok	Musik- och teaterbiblioteket Magasin A	C17.569	Tillgänglig	26201852636

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Innehåller bibliografi och index (s. 83-87)

"Maternal Representations in Twenty-First Century Broadway Musicals: Stage Mothers analyzes Broadway productions within the context of their presentation and assessment of motherhood and the variety of roles for mother figures. Using a frame of feminist and psychoanalytical positions, Gina MacKenzie establishes, defines, and interprets mother figures in contemporary Broadway, according to original categorizations of the absent, inconsequential, and overbearing mothers. MacKenzie considers how and why commercial representation of mother figures are limited and predominantly negative, even as fiction, poetry, and other forms of drama offer a much wider and progressive view of the varieties of motherhood possible in society, asserting the need for greater representation of mother figures in commercial musical theatre today."