Between national identity and a community of cultures / edited by Kamila Stępień-Kutera.

Innehåller bibliografiska referenser

La nationalité comme valeur chez Chopin dans les œvres de la période parisienne / Irena Poniatowska -- Tellefsen dans les pas de Chopin: entre affinités, dévouement et stratégie / Jean-Jacques Eigeldinger -- Thomas Tellefsen in the musical culture of Paris: a representative of juste milieu ideals? / Ingrid Loe Dalaker -- Joseph d'Ortigue : le regard d'un biographe de Chopin méconnu / Marie-Paule Rambeau -- Listening to Paris: Chopin between the soirées intimes and the modern soundscape / Maciej Janicki -- Handwritten Norwegian music books: documentation and inspiration / Hans Olav Gorset -- Norwegian couple dances from east to west / Hans-Hinrich Thedens -- Polish national music: notion, function and musical means / Zofia Chechlińska -- The pressure of national themes and domestic literature in Polish opera of the second half of the nineteenth century / Irena Poniatowska -- The significance of the instrumental output of Ignacy Feliks Dobrzyński for the forging of a national style in nineteenth-century Polish music / Agnieszka Chwiłek -- "That glorious language [...] the most beautiful music!" Edvard Grieg's relationship with landsmål / Beryl Foster -- A silent friendship / Grzegorz Michalski -- Reception of Witold Lutoslawski's music in Denmark over the last sixty years / Eva Maria Jensen -- Musique concrète - "this is obviously not music": Arne Nordheim's route from Aftonland to Response / Harald Herresthal -- Lutosławski-Nordheim: two stylistic models and their interrelations / Marcin Krajewski -- In the age of globalisation, can music articulate and consloidate national identity? / Bohdan Dziemidok

Text på engelska och franska