The Italian opera libretto and Dubrovnik theatre : (17th and 18th century) / Viktoria Franić Tomić, Slobodan Prosperov Novak, Ennio Stipčević ; translated from the Croatian by Graham McMaster.

Av: Medverkande: Språk: Engelska Original language: Kroatiska Utgivning: Vienna : Hollitzer Verlag, 2020Beskrivning: 135 sidorInnehållstyp:
  • text
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9783990127988
Ämne: DDK-klassifikation:
  • 891.83209 23/swe
SAB-klassifikation:
  • Gmft.02
Innehåll:
THE PECULIARITY OF THE CROATIAN RECEPTION OF DRAMATIC MUSIC IN THE 17th AND 18th CENTURY / Viktoria Franić Tomić, Slobodan Prosperov Novak. 1. The Croatian contribution to the late renaissance theory of dramatic music from Franjo Petrić (Francesco Patrizi) to Pasko Primović and Ivan Gundulić -- 2. Croatian baroque libretto-based drama: the Junije Palmotić era -- 3. The dramatists Vice Pucić, Šiško Gundulić, Ivan Gučetić Jr., Jaketa Palmotić and the historian of the Venetian libretto Kristoforo Ivanović -- 4. Vučistrah by Petar Kanavelić, the central libretto-inspired drama of the second half of the 17th century -- 5. Antun Gleđević and Ivan Šiško Gundulić, followers of reform in the libretto from the time of Apostolo Zeno -- 6. Pietro Metastasio and the last phase of libretto-inspired drama in Dubrovnik -- OPERA LIBRETTO WITHOUT MUSIC / Ennio Stipčević. 1. The renaissance heritage in baroque theatre and music -- 2. The earliest Mantuan and Florentine libretti in Croatian translations -- 3. Venetian libretto writing and stage illusionism -- 4. Operatic reform in Croatian tragicomedy and music -- 5. Libretti without music -- 6. Epilogue.
Holdings
Item type Current library Call number Status Barcode
Book Musik- och teaterbiblioteket Magasin A B32.828 Available 26201866271
Total holds: 0

THE PECULIARITY OF THE CROATIAN RECEPTION OF DRAMATIC MUSIC IN THE 17th AND 18th CENTURY / Viktoria Franić Tomić, Slobodan Prosperov Novak. 1. The Croatian contribution to the late renaissance theory of dramatic music from Franjo Petrić (Francesco Patrizi) to Pasko Primović and Ivan Gundulić -- 2. Croatian baroque libretto-based drama: the Junije Palmotić era -- 3. The dramatists Vice Pucić, Šiško Gundulić, Ivan Gučetić Jr., Jaketa Palmotić and the historian of the Venetian libretto Kristoforo Ivanović -- 4. Vučistrah by Petar Kanavelić, the central libretto-inspired drama of the second half of the 17th century -- 5. Antun Gleđević and Ivan Šiško Gundulić, followers of reform in the libretto from the time of Apostolo Zeno -- 6. Pietro Metastasio and the last phase of libretto-inspired drama in Dubrovnik -- OPERA LIBRETTO WITHOUT MUSIC / Ennio Stipčević. 1. The renaissance heritage in baroque theatre and music -- 2. The earliest Mantuan and Florentine libretti in Croatian translations -- 3. Venetian libretto writing and stage illusionism -- 4. Operatic reform in Croatian tragicomedy and music -- 5. Libretti without music -- 6. Epilogue.

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