The operas of Sergei Prokofiev / Christina Guillaumier.

Av: Språk: Engelska Utgivning: Woodbridge, Suffolk, UK ; Rochester, NY : Boydell Press, 2020Utgivningstid: ©2020Beskrivning: 286 sidor illustrationer (s/v), musiknoter 24 cmInnehållstyp:
  • text
  • still image
  • notated music
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 1783274484
  • 9781783274482
Ämne: DDK-klassifikation:
  • 782.1 23/swe
LC-klassifikation:
  • ML410.P865 G84 2020
Sammanfattning: The operas of Sergei Prokofiev (1891-1953) mark a significant contribution to twentieth-century music and theatre. Opera was Prokofiev's preferred genre; not counting juvenile and unfinished works, he wrote a total of eight. Yet, to date, little has been published about the context, rationale or musical and compositional processes behind this output. While systematic studies of Prokofiev's symphonies and his ballets exist, the operas have come under no such scrutiny. This book is the first in the English language to engage with the composer's operatic output in its entirety and provides a contextual, critical and musico-analytical account of all of Prokofiev's operas, including those juvenile works that are unpublished as well as the incomplete works composed towards the end of his life. It also includes synopses of the operas. Drawing on a wealth of archival material and other sources, the book provides the compelling untold story of Prokofiev the opera composer.
Holdings
Item type Current library Call number Materials specified Status Date due Barcode Item holds
Book Musik- och teaterbiblioteket Magasin A B32.819 Available 26201852210
Total holds: 0

innehåller bibliografiska referenser och index (s. 265-286)

The operas of Sergei Prokofiev (1891-1953) mark a significant contribution to twentieth-century music and theatre. Opera was Prokofiev's preferred genre; not counting juvenile and unfinished works, he wrote a total of eight. Yet, to date, little has been published about the context, rationale or musical and compositional processes behind this output. While systematic studies of Prokofiev's symphonies and his ballets exist, the operas have come under no such scrutiny. This book is the first in the English language to engage with the composer's operatic output in its entirety and provides a contextual, critical and musico-analytical account of all of Prokofiev's operas, including those juvenile works that are unpublished as well as the incomplete works composed towards the end of his life. It also includes synopses of the operas. Drawing on a wealth of archival material and other sources, the book provides the compelling untold story of Prokofiev the opera composer.

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