Innehåller bibliografiska referenser och index

Entertaining people: the 1893 columbian exposition midway plaisance / Rosemarie K. Bank -- From marmalade to gingerbread: the columbian exposition, Chicago's 57th street artist colony, and the theaters they spawned / Stuart J. Hecht -- All passes - art alone endures: staging the new drama at the fine arts building / Shannon Epplett -- Pillars of the community: reversing the flow between the goodman and community and immigrant theater / Megan E. Geigner -- Theatrical geographies of segregation: spatial displacement in Theodore Ward's big white fog / Aaron Krall -- Lincoln avenue and the off-loop scene: urban renewal and the early years of the Chicago storefront movement / Cat Gleason -- Object permanence: improvolympic and the legitimacy of improv in Chicago / Travis Stern -- Reclaiming space: an oral history of teatro vista / Laura A. Lodewyck -- Temple-swapping in the city: the spatial imaginary and performances of place-making in the work of theaster gates / LaRonika Marie Thomas -- Staging private homes and the transformation of public lives: the Chicago home theater festival / Jasmine Jamillah Mahmoud in conversation with Irina Zadov, Laley Lippard, Aymar Jean Christian, and Meida McNeal -- Epilogue: Chicago theater amid pandemics / Megan E. Geigner and Jasmine Jamillah Mahmoud

Since Chicago’s founding, theater has blossomed in the city’s makeshift spaces, from taverns to parks, living rooms to storefronts. Makeshift Chicago Stages brings together leading historians to share the history of theater and performance in the Second City. The essays collected here theorize a regional theater history and aesthetic that are inherently improvisational, rough-and-tumble, and marginal, reflecting the realities of a hypersegregated city and its neighborhoods. Space and place have contributed to Chicago’s reputation for gritty, ensemble-led work, part of a makeshift ethos that exposes the policies of the city and the transgressive possibilities of performance. This book examines the rise and proliferation of Chicago’s performance spaces, which have rooted the city’s dynamic, thriving theater community. Chapters cover well-known, groundbreaking, and understudied theatrical sites, ensembles, and artists, including the 1893 Columbian Exposition Midway Plaisance, the 57th Street Artist Colony, the Fine Arts Building, the Goodman Theatre, the Federal Theatre Project, the Kingston Mines and Body Politic Theaters, ImprovOlympics (later iO), Teatro Vista, Theaster Gates, and the Chicago Home Theater Festival. By putting space at the center of the city’s theater history, the authors in Makeshift Chicago Stages spotlight the roles of neighborhoods, racial dynamics, atypical venues, and borders as integral to understanding the work and aesthetics of Chicago’s artists, ensembles, and repertoires, which have influenced theater practices worldwide. Featuring rich archival work and oral histories, this anthology will prove a valuable resource for theater historians, as well as anyone interested in Chicago’s cultural heritage.