Sounds from within : phenomenology and practice / Paulo C. Chagas, Jiayue Cecilia Wu, editors.

Medverkande: Språk: Engelska Serie: Numanities - arts and humanities in progress ; 18Utgivning: Cham, Switzerland : Springer, [2021]Utgivningstid: ©2021Beskrivning: x, 252 pages illustrations (some color) 25 cmInnehållstyp:
  • text
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 3030725065
  • 9783030725068
Ämne: DDK-klassifikation:
  • 780.1 23
LC-klassifikation:
  • ML3800
Innehåll:
Sound, truth and paradigm / Paul C. Chagas -- Existential semiotics and its application to music: the zemic theory and its birth from the spirit of music / Eero Tarasti -- The qualities and flow of imagined sound and music / Chris Chafe -- Decoding imagined sound / Lloyd May and Michael Casey -- Music, listener and extramusical experience / Ulrika Varankaite -- In quest of the sonic self: sound as expression of the performer's individuality / Lina Navickaite-Martinelli -- The notion of "sound" in popular music / Dario Martinelli -- Experiencing embodied sonic meditation through body, voice, and multimedia arts / Jiayue Cecilia Wu -- Sonic imagination: body, visual mental imagery, and nomadism / Luca Forcucci
Sammanfattning: This book transforms phenomenology, music, technology, and the cultural arts from within. Gathering contributions by performing artists, media technology designers, nomadic composers, and distinguished musicological scholars, it explores a rich array of concepts such as embodiment, art and technology, mindfulness meditation, time and space in music, self and emptiness, as well as cultural heritage preservation. It does so via close studies on music phenomenology theory, works involving experimental music and technology, and related cultural and historical issues. This book will be of considerable interest to readers from the fields of sound studies, science and technology studies, phenomenology, cultural studies, media studies, and sound art theory. This book is equally relevant and insightful for musicians, composers, media artists, sound artists, technology designers, and curators and arts administrators from the performing and visual arts.
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Magasin A B33.594 1 Available 26201867102
Book Musik- och teaterbiblioteket Elektronmusikstudion EMS EMS : G2 2 Available (Längre framtagningstid / Longer processing time) 26201871347
Total holds: 0

Includes bibliographical references and index

Sound, truth and paradigm / Paul C. Chagas -- Existential semiotics and its application to music: the zemic theory and its birth from the spirit of music / Eero Tarasti -- The qualities and flow of imagined sound and music / Chris Chafe -- Decoding imagined sound / Lloyd May and Michael Casey -- Music, listener and extramusical experience / Ulrika Varankaite -- In quest of the sonic self: sound as expression of the performer's individuality / Lina Navickaite-Martinelli -- The notion of "sound" in popular music / Dario Martinelli -- Experiencing embodied sonic meditation through body, voice, and multimedia arts / Jiayue Cecilia Wu -- Sonic imagination: body, visual mental imagery, and nomadism / Luca Forcucci

This book transforms phenomenology, music, technology, and the cultural arts from within. Gathering contributions by performing artists, media technology designers, nomadic composers, and distinguished musicological scholars, it explores a rich array of concepts such as embodiment, art and technology, mindfulness meditation, time and space in music, self and emptiness, as well as cultural heritage preservation. It does so via close studies on music phenomenology theory, works involving experimental music and technology, and related cultural and historical issues. This book will be of considerable interest to readers from the fields of sound studies, science and technology studies, phenomenology, cultural studies, media studies, and sound art theory. This book is equally relevant and insightful for musicians, composers, media artists, sound artists, technology designers, and curators and arts administrators from the performing and visual arts.

Imported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)

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