The Routledge introduction to American drama / Paul Thifault.

Av: Språk: Engelska Serie: Routledge introductions to American literatureUtgivning: New York : Routledge, 2022Beskrivning: xi, 201 sidor illustrationerInnehållstyp:
  • text
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9780367696535
Ämne: Genre/Form: DDK-klassifikation:
  • 812.009 23/swe
Onlineresurser:
Innehåll:
The contrast (1787) by Royall Tyler ; André (1798) by William Dunlap ; The indian princess (1808) by James Nelson Barker ; Fashion, or Life in New York (1845) by Anna Cora Mowatt ; The octoroon, or Life in Louisiana (1859) by Dion Boucicault ; Margaret Fleming (1890) By James A. Herne ; Trifles (1916) by Susan Glaspell ; The children's hour (1934) by Lillian Hellman ; Our town (1938) by Thomas Wilder ; A streetcar named Desire (1947) by Tennessee Williams ; Death of a salesman (1949) by Arthur Miller ; Long day's journey into night (1956) by Eugene O'Neill ; A raisin in the sun (1959) by Lorraine Hansberry ; Who's afraid of Virginia Woolf? (1962) by Edward Albee ; Funnyhouse of a negro (1964) by Adrienne Kennedy ; Fences (1985) by August Wilson ; Angels in America: a gay fantasia on national themes (1993-94) by Tony Kushner
Sammanfattning: This volume provides an accessible and engaging guide to the study of American dramatic literature. Designed to support students in reading, discussing, and writing about commonly assigned American plays, this text offers timely resources to think critically and originally about key moments on the American stage.?Combining comprehensive coverage of the core plays from the post-Revolutionary era to the present, each chapter includes:?historical and cultural context of each of the plays and their distinctive literary features?clear introductions to the ongoing critical debates they have provoked?collaborative prompts for classroom or online discussion?annotated bibliographies for further research?With its accessible prose style and clear structure, this introduction spotlights specific plays while encouraging students to contemplate timely questions of American identity across its selected span of US theatrical history
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Magasin A B34.116 Available 26201877644
Total holds: 0

Innehåller bibliografiska referenser och index

The contrast (1787) by Royall Tyler ; André (1798) by William Dunlap ; The indian princess (1808) by James Nelson Barker ; Fashion, or Life in New York (1845) by Anna Cora Mowatt ; The octoroon, or Life in Louisiana (1859) by Dion Boucicault ; Margaret Fleming (1890) By James A. Herne ; Trifles (1916) by Susan Glaspell ; The children's hour (1934) by Lillian Hellman ; Our town (1938) by Thomas Wilder ; A streetcar named Desire (1947) by Tennessee Williams ; Death of a salesman (1949) by Arthur Miller ; Long day's journey into night (1956) by Eugene O'Neill ; A raisin in the sun (1959) by Lorraine Hansberry ; Who's afraid of Virginia Woolf? (1962) by Edward Albee ; Funnyhouse of a negro (1964) by Adrienne Kennedy ; Fences (1985) by August Wilson ; Angels in America: a gay fantasia on national themes (1993-94) by Tony Kushner

This volume provides an accessible and engaging guide to the study of American dramatic literature. Designed to support students in reading, discussing, and writing about commonly assigned American plays, this text offers timely resources to think critically and originally about key moments on the American stage.?Combining comprehensive coverage of the core plays from the post-Revolutionary era to the present, each chapter includes:?historical and cultural context of each of the plays and their distinctive literary features?clear introductions to the ongoing critical debates they have provoked?collaborative prompts for classroom or online discussion?annotated bibliographies for further research?With its accessible prose style and clear structure, this introduction spotlights specific plays while encouraging students to contemplate timely questions of American identity across its selected span of US theatrical history

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