The Routledge companion to theatre and performance historiography / edited by Tracy C. Davis and Peter W. Marx.

Medverkande: Språk: Engelska Serie: Routledge companionsUtgivning: Abingdon ; New York : Routledge, 2021Beskrivning: xxi, 495 sidor illustrationerInnehållstyp:
  • text
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9780367524746
Varianttitel:
  • Theatre and performance historiography [Del av titel]
Ämne: DDK-klassifikation:
  • 792.0722 23/swe
SAB-klassifikation:
  • Ika:k
Innehåll:
Introduction: On Critical Media History / TRACY C. DAVIS, PETER W. MARX -- Part I. Theatre History is Performance History: 1. The Size of All That’s Missing / ODAI JOHNSON -- 2. Gyno Ludens: A Doll House Redux / NATASHA KORDA -- 3. Rethinking Categories of Theatre and Performance: Archive, Scholarship, and Practices (A Post-Colonial Indian Perspective) / BISHNUPRIYA DUTT -- 4. Dancing with the Living Dead: State Violence in South Korea and the Performance of Memory / ELIZABETH W. SON -- 5. Setasidedness / TRACY C. DAVIS -- Part II. Materiality and the Sensorium: 6. Performatic Archives: Mobilising Affects in Eighteenth-Century Mexico / LEO CABRANES-GRANT -- 7. German Radio Drama and the "Cultural Formation" of Interiority / MICHAEL BACHMANN -- 8. Canonising Impulses, Cartographic Desires, and the Legibility of History: Why Speak of/for "Indian" Theatrical Pasts? / RASHNA DARIUS NICHOLSON -- 9. De-colonising Theatre History: Ontology Alterity, Acting Objects, and What Theatre Studies Can Learn from Museums / MARGARET WERRY -- Part III. Locating: 10. Off the Record: Contrapuntal Theatre History / NOÉMIE NDIAYE -- 11. The Theorist and the Theorised: Indigenous Critiques of Performance Studies / STEPHANIE NOHELANI TEVES -- 12. Complicating Hybridity: A View from/through the Andean Patron-Saint Fiesta / ENZO E. VASQUEZ TORAL -- 13. Theatre-Historiographical Patterns in the Global South 1950–1990: Transnational and Institutional Perspectives / CHRISTOPHER BALME -- 14. The Role of Theatre in the Modernisation of Tunisia / VICKI ANN CREMONA, MAHMOUD MEJRI -- 15. Translation and/as Theatre and Performance Historiography: Towards a Reconsideration of a Neglected but Omnipresent Challenge / JEAN GRAHAM-JONES -- Part IV. Historicising: 16. On Circulation and Recycling / PETER W. MARX -- 17. Towards an Expansive Historiography of Jews as Creative Collaborators and Hired Contractors in Early-Modern Italian Theatre and Performance / ERITH JAFFE-BERG -- 18. Renaissance Theatre and Clockpunk Historiography / ELLEN MACKAY -- 19. Theatre History as Contemporary History / MATTHIAS WARSTAT -- Part V. Scaling: 20. Modelling the World through Play: An Exploration in Repurposing, Representation, and History Writing / PAVEL DRÁBEK -- 21. Towards a New Culture of Public Negotiation: Interplay between Political and Theatrical Spheres in the Vienna Revolution of 1848 / STEFAN HULFELD -- 22. Performance Texts and Recording Performance: Towards a Methodology of Multiplicity / SHARON ARONSON-LEHAVI -- 23. Quantitative Visualisation and Qualitative Research: The Beijing Opera Yinpeixiang (Video Matching Audio) Project / SIYUAN LIU
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Magasin A B33.925 Available 26201868971
Total holds: 0

Introduction: On Critical Media History / TRACY C. DAVIS, PETER W. MARX -- Part I. Theatre History is Performance History: 1. The Size of All That’s Missing / ODAI JOHNSON -- 2. Gyno Ludens: A Doll House Redux / NATASHA KORDA -- 3. Rethinking Categories of Theatre and Performance: Archive, Scholarship, and Practices (A Post-Colonial Indian Perspective) / BISHNUPRIYA DUTT -- 4. Dancing with the Living Dead: State Violence in South Korea and the Performance of Memory / ELIZABETH W. SON -- 5. Setasidedness / TRACY C. DAVIS -- Part II. Materiality and the Sensorium: 6. Performatic Archives: Mobilising Affects in Eighteenth-Century Mexico / LEO CABRANES-GRANT -- 7. German Radio Drama and the "Cultural Formation" of Interiority / MICHAEL BACHMANN -- 8. Canonising Impulses, Cartographic Desires, and the Legibility of History: Why Speak of/for "Indian" Theatrical Pasts? / RASHNA DARIUS NICHOLSON -- 9. De-colonising Theatre History: Ontology Alterity, Acting Objects, and What Theatre Studies Can Learn from Museums / MARGARET WERRY -- Part III. Locating: 10. Off the Record: Contrapuntal Theatre History / NOÉMIE NDIAYE -- 11. The Theorist and the Theorised: Indigenous Critiques of Performance Studies / STEPHANIE NOHELANI TEVES -- 12. Complicating Hybridity: A View from/through the Andean Patron-Saint Fiesta / ENZO E. VASQUEZ TORAL -- 13. Theatre-Historiographical Patterns in the Global South 1950–1990: Transnational and Institutional Perspectives / CHRISTOPHER BALME -- 14. The Role of Theatre in the Modernisation of Tunisia / VICKI ANN CREMONA, MAHMOUD MEJRI -- 15. Translation and/as Theatre and Performance Historiography: Towards a Reconsideration of a Neglected but Omnipresent Challenge / JEAN GRAHAM-JONES -- Part IV. Historicising: 16. On Circulation and Recycling / PETER W. MARX -- 17. Towards an Expansive Historiography of Jews as Creative Collaborators and Hired Contractors in Early-Modern Italian Theatre and Performance / ERITH JAFFE-BERG -- 18. Renaissance Theatre and Clockpunk Historiography / ELLEN MACKAY -- 19. Theatre History as Contemporary History / MATTHIAS WARSTAT -- Part V. Scaling: 20. Modelling the World through Play: An Exploration in Repurposing, Representation, and History Writing / PAVEL DRÁBEK -- 21. Towards a New Culture of Public Negotiation: Interplay between Political and Theatrical Spheres in the Vienna Revolution of 1848 / STEFAN HULFELD -- 22. Performance Texts and Recording Performance: Towards a Methodology of Multiplicity / SHARON ARONSON-LEHAVI -- 23. Quantitative Visualisation and Qualitative Research: The Beijing Opera Yinpeixiang (Video Matching Audio) Project / SIYUAN LIU

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