Sex sounds : vectors of difference in electronic music / Danielle Shlomit Sofer.
Språk: Engelska Utgivning: Cambridge, Massachusetts : MIT Press, [2022]Utgivningstid: ©2022Beskrivning: lii, 374 pages illustrations, music 23 cmInnehållstyp:- text
- unmediated
- volume
- 9780262045193
- 0262045192
- 786.7 23
- ML1092
| Item type | Current library | Call number | Status | Barcode | |
|---|---|---|---|---|---|
| Book | Musik- och teaterbiblioteket Elektronmusikstudion EMS | EMS : A1 | Available (Längre framtagningstid / Longer processing time) | 26201871733 |
Includes bibliographical references (pages 329-351) and index
Introduction -- Part I: Electroacoustics of the feminized voice. Schaeffer and Henry's "Erotica" (1950-51) ; Annea Lockwood's Tiger balm (1970) ; Luc Ferrari's Les danses organiques (1973) and Presque rien avec filles, for dancer and memorized sound (1989) ; Robert Normandeau's Jeu de langues (2009) ; Juliana Hodkinson's and Niels Ronsholdt's Fish and fowl (2011-12) -- Part II. Electrosexual disturbance. Donna Summer's "Love to love you, baby" (1975) ; Alice Shield's Apocalypse (1990-94) ; Annie Sprinkle's Sluts and goddesses video workshop, Sound score by Pauline Oliveros (1992) ; Barry Truax's Song of songs (1992) ; TLC's "I'm good at being bad" (1999) ; Janelle Monae's "It's code" (2013) ; The wobble warp : Theesatisfaction's "Enchantruss" (2012), Janelle Monaes and Esperanza Spalding's "Dorothy Dandridge eyes" (2013), and Stas thee Boss's "Before anyone else" (2017) -- Conclusion
"Music and sexuality seem to have been linked together since someone first beat out a rhythm on a drum. Making Sex Sound explores the intersection in the mid-20th century onward"-- Provided by publisher
Imported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)