Sound work : composition as critical technical practice / edited by Jonathan Impett.
Språk: Engelska Serie: Orpheus Institute seriesUtgivning: Leuven : Leuven University Press, [2021]Beskrivning: 373 pages illustrations (black and white, and colour) 29 cmInnehållstyp:- text
- still image
- unmediated
- volume
- 9789462702585
- 781.3 23
- Also published electronically
| Cover image | Item type | Current library | Home library | Collection | Shelving location | Call number | Materials specified | Vol info | URL | Copy number | Status | Notes | Date due | Barcode | Item holds | Item hold queue priority | Course reserves | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Book | Musik- och teaterbiblioteket Elektronmusikstudion EMS | EMS : E2 | Available (Längre framtagningstid / Longer processing time) | 26201871726 |
Includes bibliographical references and index
Introduction: Music-Making and Storytelling / Jonathan Impett -- Too Cool to Boogie: Craft, Culture, and Critique in Computing / Alan F. Blackwell -- Illusions of Form / David Rosenboom -- What to Ware? A Guide to Today’s Technological Wardrobe / Nicolas Collins -- ?Toward a Critical Musical Practice / Ann Warde -- The Composer’s Domain: Method and Material / Nicholas Brown -- Dissociation and Interference in Composers’ Stories about Music: The Renewal of Musical Discourse / Jonathan Impett -- The Impossibility of Material Foundations / Scott McLaughlin -- Thinking Liveness in Performance with Live Electronics: The Need for an Eco-systemic Notion of Agency / Agostino Di Scipio -- Experiment and Experience: Compositional Practice as Critique / Lula Romero -- Designing the Threnoscope or, How I Wrote One of My Pieces / Thor Magnusson -- A Few Reflections about Compositional Practice through a Personal Narrative / Daniela Fantechi -- Temporal Poetics as a Critical Technical Practice / Karim Haddad -- Collaborative Creation in Electroacoustic Music: Practices and Self-Awareness in the Work of Musical Assistants Marino Zuccheri, Alvise Vidolin, and Carl Faia / Laura Zattra -- Parlour Sounds: A Critical Compositional Process towards a Cyberfeminist Theory of Music Technology / Patricia Alessandrini and Julie Zhu -- Changing the Vocabulary of Creative Research: The Role of Networks, Risk, and Accountability in Transcending Technical Rationality / Ambrose Field -- Designing Audience–Work Relationships / Marko Ciciliani
Also published electronically
Imported from: z3950cat.bl.uk:9909/BNB03U (Do not remove)