Extreme music : from silence to noise and everything in between / by Michael Tau.
Språk: Engelska Utgivning: Port Townsend, WA : Feral House, [2022]Utgivningstid: ©2022Beskrivning: 367 pages illustrations 26 cmInnehållstyp:- text
- still image
- unmediated
- volume
- 9781627311243
- 1627311246
- 781.11 23
- Ijb.5
- Ijb.6
| Item type | Current library | Call number | Status | Barcode | |
|---|---|---|---|---|---|
| Book | Musik- och teaterbiblioteket Elektronmusikstudion EMS | EMS : E1 | Available (Längre framtagningstid / Longer processing time) | 26201871856 |
Introduction ; Section I: Extreme Scenes. I.1 Loud. I.1.1 The Loudness War ; I.1.2 Noise Music ; I.1.3 Harsh Noise Wall ; I.2 Quiet. I.2.1 Drone ; I.2.2 New Age Music ; I.2.3 Ambient ; I.2.4 Homemade Drone ; I.2.5 Lowercase ; I.2.6 Onkyô ; I.3 Vulgar. I.3.1 Blood and Guts ; I.3.2 Pornogrind ; I.4 Fast. I.4.1 Speedcore ; I.4.2 Splittercore ; I.4.3 Extratone ; I.4.4 Flashcore ; I.5 Found ; Section II: Extreme Durations. II.1 Long ; II.2 Short ; Section III: Extreme Records. III.1 Lathe-Cut ; III.2 Large ; III.3 Small ; III.4 Shapes. III.4.1 Places ; III.4.2 Sawblades ; III.4.3 Beyond ; III.5 Pictures. III.5.1 Picture Disc Prehistory ; III.5.2 Vogue Records ; III.5.3 Red Raven Records’ Zoetrope Discs ; III.5.4 Picture Discs in the Rock Era ; III.6 Adulterated ; III.7 Non-Vinyl. III.7.1 Records That Melt ; III.7.2 Project Dark ; III.7.3 Other Unusual Materials ; Section IV: Technological Quirks. IV.1 Chiptune ; IV.2 Lobit ; IV.3 Floppies. IV.3.1 Early Floppy History ; IV.3.2 Floppies as Subculture ; IV.4 Microcassettes. IV.4.1 Microcassettor ; IV.4.2 One-Touch Recordings ; IV.4.3 dirgefunk’s microcassettes ; IV.4.4 Dictaphonia ; IV.4.5 Dictafawn ; IV.4.6 Lavender Sweep ; IV.5 8-Tracks. IV.5.1 Malcolm Tent’s 8-Track Obsession ; IV.5.2 8-Tracks in the Nineties ; IV.5.3 The 21st Century ; IV.6 Cylinders ; IV.7 Non-Traditional Formats. IV.7.1 USB & SD ; IV.7.2 Self-Reliant Formats ; Section V: Extreme Packaging. V.1 Elaborate. V.1.1 History of Elaborate Packaging ; V.1.2 American Tapes ; V.1.3 MSBR Records ; V.1.4 Toxic Industries / Very Toxic ; V.1.5 Others ; V.2 Disgusting. V.2.1 Packs ; V.2.2 Body Fluids ; V.2.3 Perishables ; V.2.4 A Final Anecdote ; Section VI: Recordings? VI.1 Silent. VI.1.1 Silent Pioneers ; VI.1.2 Silent Recordings ; VI.2 Damaged ; VI.3 Unplayable. VI.3.1 Anti-Records & Underground Music ; VI.3.2 RRRecords’ Anti-Records ; VI.3.3 The Haters ; VI.3.4 Major Ego Produkt Objekts & Aktions ; VI.3.5 One-Off Anti-Records in the Nineties ; VI.3.6 Anti-Recordings in Other Formats ; VI.3.7 Contemporary Anti-Recordings: NONE Records, Michael Ridge, and Auris Apothecary ; VI.3.8 Anti-Recordings: Tying It All Together ; Section VII: The Digital Age. VII.1 Waves. VII.1.1 Mallsoft ; VII.1.2 Broken Transmission ; VII.1.3 Late Night Lo-Fi ; VII.2 Ringtones ; VII.3 Black Midi ; VII.4 Outsiders. VII.4.1 R.A.E.D. ; VII.4.2 Viper ; VII.4.3 Farrah Abraham ; VII.4.4 Al Walser ; VII.4.5 Chief Kooffreh ; VII.4.6 Fallen Vengeance ; VII.4.7 Girls With Attitude ; VII.4.8 Ornaments of Agony ; VII.4.9 Hekaloth Records ; VII.4.10 Tonetta ; Conclusion
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