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Theatre & war / Natalie Álvarez.

Av:

Álvarez, Natalie, 1974- [aut]

text

Medietyp:

unmediated

Bärartyp:

volume

ISBN:

9781137584250

Varianttitel:

Theatre and war

Ämne:

DDK-klassifikation:

306.4848 23/swe

SAB-klassifikation:

Innehåll:

Theatres for war -- Theatres of war -- Rehearsals -- Body as battlefield -- Spectacle and spectatorship -- Hearts and minds -- Postmortem.

Sammanfattning: "Theatre and war have long been bedfellows. The principal purpose of this book is not to explore theatre that is about war, but instead it focuses on the relationship between theatre & war: how they feed into and inform each other, from rehearsal to post-production analysis. This bookbuilds on the premise that theatre and war have always overlapped, in that this will only continue into the future. Guided by four key questions, this clear and far-reaching volume asks: how have the tools of theatre been used in the waging of war?; how have the tools of waging war been used in the making of performance?; what are the 'shared interests' of theatre and war?; and how has performance become a militarized paradigm?"-- Provided by publisher.

Holdings ( 1 )
Title notes ( 3 )

Holdings
Cover image	Item type	Current library	Home library	Collection	Shelving location	Call number	Materials specified	Vol info	URL	Copy number	Status	Notes	Date due	Barcode	Item holds	Item hold queue priority	Course reserves
	Book	Musik- och teaterbiblioteket Öppen samling, seminarieytan				D 1616					Available			26201866496

Total holds: 0

Includes bibliographic references and index.

Theatres for war -- Theatres of war -- Rehearsals -- Body as battlefield -- Spectacle and spectatorship -- Hearts and minds -- Postmortem.

"Theatre and war have long been bedfellows. The principal purpose of this book is not to explore theatre that is about war, but instead it focuses on the relationship between theatre & war: how they feed into and inform each other, from rehearsal to post-production analysis. This bookbuilds on the premise that theatre and war have always overlapped, in that this will only continue into the future. Guided by four key questions, this clear and far-reaching volume asks: how have the tools of theatre been used in the waging of war?; how have the tools of waging war been used in the making of performance?; what are the 'shared interests' of theatre and war?; and how has performance become a militarized paradigm?"-- Provided by publisher.