Songbooks : the literature of American popular music / Eric Weisbard.

Av: Språk: Engelska Serie: Refiguring American musicUtgivning: Durham : Duke University Press, 2021Utgivningstid: ©2021Beskrivning: xxii, 530 sidor illustrationer 24 cmInnehållstyp:
  • text
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9781478011941
Ämne: DDK-klassifikation:
  • 782.421640973 23/swe
SAB-klassifikation:
  • Ijxp-qa
Innehåll:
Setting the scene -- The jazz age -- Midcentury icons -- Vernacular counterculture -- After the revolution -- New voices, new methods -- Topics in progress.
Sammanfattning: "Songbooks, a critical guide to American popular music writing, unfolds chronologically, with entries on authors, artists, and topics beginning with William Billings's 1770 New-England Psalm-Singer. Outsiders proliferate in these pages: women and/or writers of color, authors displaced by sexuality, self-educated scholars, elites deviating from norms. Their work routinely took non-academic shapes: compilations of songs, memoirs and biographies, fiction and magazine essays. Others fought within the academy to establish fields like ethnomusicology and jazz studies. Drawing on his background as a Village Voice music critic and as the longtime organizer of the Pop Conference, Eric Weisbard offers an important corrective to a fragmented field"-- Provided by publisher.
Holdings
Item type Current library Call number Materials specified Status Date due Barcode Item holds
Book Musik- och teaterbiblioteket Magasin A B33.983 Available 26201867496
Total holds: 0

Innehåller bibliografiska referenser och index.

Setting the scene -- The jazz age -- Midcentury icons -- Vernacular counterculture -- After the revolution -- New voices, new methods -- Topics in progress.

"Songbooks, a critical guide to American popular music writing, unfolds chronologically, with entries on authors, artists, and topics beginning with William Billings's 1770 New-England Psalm-Singer. Outsiders proliferate in these pages: women and/or writers of color, authors displaced by sexuality, self-educated scholars, elites deviating from norms. Their work routinely took non-academic shapes: compilations of songs, memoirs and biographies, fiction and magazine essays. Others fought within the academy to establish fields like ethnomusicology and jazz studies. Drawing on his background as a Village Voice music critic and as the longtime organizer of the Pop Conference, Eric Weisbard offers an important corrective to a fragmented field"-- Provided by publisher.

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