Normalvy MARC-vy ISBD-vy

Songbooks : the literature of American popular music / Eric Weisbard.

Av:

Weisbard, Eric, 1965- [aut]

text

Medietyp:

unmediated

Bärartyp:

volume

ISBN:

9781478011941

Ämne:

DDK-klassifikation:

782.421640973 23/swe

SAB-klassifikation:

Ijxp-qa

Innehåll:

Setting the scene -- The jazz age -- Midcentury icons -- Vernacular counterculture -- After the revolution -- New voices, new methods -- Topics in progress.

Sammanfattning: "Songbooks, a critical guide to American popular music writing, unfolds chronologically, with entries on authors, artists, and topics beginning with William Billings's 1770 New-England Psalm-Singer. Outsiders proliferate in these pages: women and/or writers of color, authors displaced by sexuality, self-educated scholars, elites deviating from norms. Their work routinely took non-academic shapes: compilations of songs, memoirs and biographies, fiction and magazine essays. Others fought within the academy to establish fields like ethnomusicology and jazz studies. Drawing on his background as a Village Voice music critic and as the longtime organizer of the Pop Conference, Eric Weisbard offers an important corrective to a fragmented field"-- Provided by publisher.

Bestånd ( 1 )
Titelanmärkningar ( 3 )

Bestånd
Exemplartyp	Aktuellt bibliotek	Hyllsignatur	Del av materialet som avses	Status	Förfallodatum	Streckkod	Exemplarreservationer
Bok	Musik- och teaterbiblioteket Magasin A	B33.983		Tillgänglig		26201867496

Antal reservationer: 0

Innehåller bibliografiska referenser och index.

Setting the scene -- The jazz age -- Midcentury icons -- Vernacular counterculture -- After the revolution -- New voices, new methods -- Topics in progress.

"Songbooks, a critical guide to American popular music writing, unfolds chronologically, with entries on authors, artists, and topics beginning with William Billings's 1770 New-England Psalm-Singer. Outsiders proliferate in these pages: women and/or writers of color, authors displaced by sexuality, self-educated scholars, elites deviating from norms. Their work routinely took non-academic shapes: compilations of songs, memoirs and biographies, fiction and magazine essays. Others fought within the academy to establish fields like ethnomusicology and jazz studies. Drawing on his background as a Village Voice music critic and as the longtime organizer of the Pop Conference, Eric Weisbard offers an important corrective to a fragmented field"-- Provided by publisher.