Towards Good Lighting for the Stage : aesthetic theory for theatrical lighting design / Marcus Doshi.

Av: Språk: Engelska Utgivning: New York : Routledge, 2023Beskrivning: 198 sidor fotografierInnehållstyp:
  • text
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9781032073316
Ämne: DDK-klassifikation:
  • 792.025 23/swe
SAB-klassifikation:
  • Ikabb
Onlineresurser:
Innehåll:
Beauty -- Artist/artwork -- The spectator -- Theatre -- Theatrical abstraction -- On design -- The box -- Praxis -- Coda: so, now what?
Sammanfattning: "Through an investigation of the author’s own aesthetic point of view—grounded in a broad investigation of art and design that blends pop culture and fine art, theory, and practice—this book documents the author’s thinking on the design process to fill the unexplored gap between an aesthetic philosophy and its expression in composition. Redefinitions of the artist, artwork, and spectator link beauty and artistic efficacy to arrive at a set of principles for assessment that demand that contemporary lighting design surpass utilitarian visibility to become a vital part of the total artwork that is a theatrical production. Inspired by the movements of the broader art and design worlds of the mid-19th century through present day—citing influences as diverse as Jennifer Tipton, Lois Tyson, Dieter Rams, and Dave Hickey—this book charts a course from the artistic team’s dramaturgical work to a solo studio concept to the tech table." - baksidetext
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Magasin A C 18.667 Available 26201876610
Total holds: 0

Beauty -- Artist/artwork -- The spectator -- Theatre -- Theatrical abstraction -- On design -- The box -- Praxis -- Coda: so, now what?

"Through an investigation of the author’s own aesthetic point of view—grounded in a broad investigation of art and design that blends pop culture and fine art, theory, and practice—this book documents the author’s thinking on the design process to fill the unexplored gap between an aesthetic philosophy and its expression in composition. Redefinitions of the artist, artwork, and spectator link beauty and artistic efficacy to arrive at a set of principles for assessment that demand that contemporary lighting design surpass utilitarian visibility to become a vital part of the total artwork that is a theatrical production. Inspired by the movements of the broader art and design worlds of the mid-19th century through present day—citing influences as diverse as Jennifer Tipton, Lois Tyson, Dieter Rams, and Dave Hickey—this book charts a course from the artistic team’s dramaturgical work to a solo studio concept to the tech table." - baksidetext

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