I feel everything you say, I feel everything you hear / editor: Jan Lankisch.

Medverkande: Språk: Engelska Serie: Week-end booksUtgivning: Köln : Strzelecki Books, [2022]Utgivningstid: ©2022Utgåva: First editionBeskrivning: 158 sidor illustrationer i färgInnehållstyp:
  • text
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9783946770008
Ämne: DDK-klassifikation:
  • 780.904 23/swe
SAB-klassifikation:
  • Ijb-c.5
  • Ijb-c.6
Innehåll:
Anadol -- Marshall Allen -- Mdou Moctar -- Pak Yan Lau -- Gilberto Gil -- Scientist -- Flohio -- Arthur Verocai -- Stephen Malkmus -- Suzanne Ciani – Sessa -- Jan St. Werner -- Shintaro Sakamoto -- Adrian Sherwood -- Claire Rousay -- Fred Frith -- Roedelius -- Eiko Ishibashi -- Tim Bernardes -- Stephen Pastel -- Pascal Comelade
Sammanfattning: In "I feel everything you say, I feel everything you hear.", 21 artists tell of decisive moments and memories that still resonate today and have shaped their own artistic identity. As in the festival's diverse line-up, the book succeeds in showing diverse lines and connections between them. Stephen Malkmus talks about his early love for Can, while dub producers Adrian Sherwood and Scientist tell of their deep admiration for the two inventors of dub Lee "Scratch" Perry and King Tubby. Electronic pioneer Suzanne Ciani speaks about her first steps as a musician and her encounter with Don Buchla, to whom she owes her first job and her first synthesiser. Gilberto Gil looks back on his lifelong friendship and his most important musical partner Caetano Veloso, while the young London rapper Flohio takes us to her neighbourhood Bermondsey in South London. The British avant-garde guitarist Fred Frith describes his first bizarre encounter with the Sun Ra Arkestra in New York in 1979, of which Marshall Allen is a member. The latter tells how today, at the age of 98, he carries on the musical legacy of his master Sun Ra with pride and reverence. By focusing on the fan perspective of the participating artists, the book connects to the curatorial concept of the festival itself. And through their stories and anecdotes, the building blocks of a new or different oral history of recent music history." -- https://www.weekendfest.de/books/
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Elektronmusikstudion EMS EMS : E1 Available (Längre framtagningstid / Longer processing time) 26201877758
Total holds: 0

Anadol -- Marshall Allen -- Mdou Moctar -- Pak Yan Lau -- Gilberto Gil -- Scientist -- Flohio -- Arthur Verocai -- Stephen Malkmus -- Suzanne Ciani – Sessa -- Jan St. Werner -- Shintaro Sakamoto -- Adrian Sherwood -- Claire Rousay -- Fred Frith -- Roedelius -- Eiko Ishibashi -- Tim Bernardes -- Stephen Pastel -- Pascal Comelade

In "I feel everything you say, I feel everything you hear.", 21 artists tell of decisive moments and memories that still resonate today and have shaped their own artistic identity. As in the festival's diverse line-up, the book succeeds in showing diverse lines and connections between them. Stephen Malkmus talks about his early love for Can, while dub producers Adrian Sherwood and Scientist tell of their deep admiration for the two inventors of dub Lee "Scratch" Perry and King Tubby. Electronic pioneer Suzanne Ciani speaks about her first steps as a musician and her encounter with Don Buchla, to whom she owes her first job and her first synthesiser. Gilberto Gil looks back on his lifelong friendship and his most important musical partner Caetano Veloso, while the young London rapper Flohio takes us to her neighbourhood Bermondsey in South London. The British avant-garde guitarist Fred Frith describes his first bizarre encounter with the Sun Ra Arkestra in New York in 1979, of which Marshall Allen is a member. The latter tells how today, at the age of 98, he carries on the musical legacy of his master Sun Ra with pride and reverence. By focusing on the fan perspective of the participating artists, the book connects to the curatorial concept of the festival itself. And through their stories and anecdotes, the building blocks of a new or different oral history of recent music history." -- https://www.weekendfest.de/books/

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