Revisions : essays by Apollo Musagète, Yvonne Rainer, and others / Yvonne Rainer ; [edited by Rachel Churner].

Av: Medverkande: Språk: Engelska Utgivning: New York : No Place Press, [2020]Utgivningstid: ©2020Beskrivning: 119 sidor illustrationer 21 cmInnehållstyp:
  • text
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9781949484052
Ämne: Genre/Form: DDK-klassifikation:
  • 792.8092 23/swe
SAB-klassifikation:
  • Iky.5
  • Ikz Rainer, Yvonne
Sammanfattning: [Bakre omslag:] "Choreographer and filmmaker Yvonne Rainer has long investigated the ways in which movement can be a political act in and of itself - be it on the stage, on the screen, or at the lectern. In 'Revisions', Rainer pushes her interest in embodied activism to a new arena: what she calls the 'rant dance.' This volume includes the final iteration of Rainer's latest rant dance, entitled 'A Truncated History of the Universe for Dummies'. This performance piece evolved in live presentations in Dublin, Stockholm, and New York before being expanded and adapted in written form here. In this work, Rainer mobilizes her rage and bafflement at contemporary political events through the guise of Apollo Musagète, Leader of the Muses. 'Revisions' also includes 'Pedagogical Vaudeville 3,' a compilation of emails and diary entries that provide a real-time account of Rainer's process of creating and workshopping a dance. A wide-ranging interview with Douglas Crimp provides context for her origins in dance and her return to the form in 2000. Rainer and dancer and Yale professor Emily Coates reflect on the reprisal of Rainer's seminal 'Parts of Some Sextets' (1965/2019), which debuted in November 2019. Together, the texts in 'Revisions' reveals Rainer's consistent interest in reworking and reconsidering material across multiple mediums, formats, and contexts, and offers an unprecedented glimpse at the working methods of one of this century's preeminent dance artists. Bookended with an introduction by artist and scholar Gregg Bordowitz and an analysis of Rainer's 'AG Indexical with a Little Help from H. M'. by Anna Staniczenko, the assembled texts serve not only as a revision of the conventional understanding of five decades of Rainer's production, but also as a timely manual for performance as an act of resistance."
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Öppen samling, seminarieytan C18.183 Available 26201861660
Total holds: 0

[Bakre omslag:] "Choreographer and filmmaker Yvonne Rainer has long investigated the ways in which movement can be a political act in and of itself - be it on the stage, on the screen, or at the lectern. In 'Revisions', Rainer pushes her interest in embodied activism to a new arena: what she calls the 'rant dance.' This volume includes the final iteration of Rainer's latest rant dance, entitled 'A Truncated History of the Universe for Dummies'. This performance piece evolved in live presentations in Dublin, Stockholm, and New York before being expanded and adapted in written form here. In this work, Rainer mobilizes her rage and bafflement at contemporary political events through the guise of Apollo Musagète, Leader of the Muses. 'Revisions' also includes 'Pedagogical Vaudeville 3,' a compilation of emails and diary entries that provide a real-time account of Rainer's process of creating and workshopping a dance. A wide-ranging interview with Douglas Crimp provides context for her origins in dance and her return to the form in 2000. Rainer and dancer and Yale professor Emily Coates reflect on the reprisal of Rainer's seminal 'Parts of Some Sextets' (1965/2019), which debuted in November 2019. Together, the texts in 'Revisions' reveals Rainer's consistent interest in reworking and reconsidering material across multiple mediums, formats, and contexts, and offers an unprecedented glimpse at the working methods of one of this century's preeminent dance artists. Bookended with an introduction by artist and scholar Gregg Bordowitz and an analysis of Rainer's 'AG Indexical with a Little Help from H. M'. by Anna Staniczenko, the assembled texts serve not only as a revision of the conventional understanding of five decades of Rainer's production, but also as a timely manual for performance as an act of resistance."

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