Ventriloquism, performance, and contemporary art / edited by Jennie Hirsh, Isabelle Loring Wallace.
Språk: Engelska Serie: Routledge advances in art and visual studiesUtgivning: New York ; London : Routledge, 2023Beskrivning: xv, 274 sidor illustrationerInnehållstyp:- text
- unmediated
- volume
- 9781032304762
- 700.95 23/swe
- Ib.6
- Rddd
| Item type | Current library | Call number | Status | Barcode | |
|---|---|---|---|---|---|
| Book | Musik- och teaterbiblioteket Öppen samling, seminarieytan | B34.295 | Available | 26201879361 |
Introduction: Voiceovers / JENNIE HIRSH AND ISABELLE LORING WALLACE -- PART I. Pulling Strings. 1. Voice, Vivification, and Subjectivity: Jasper Johns' Ventriloquist / ISABELLE LORING WALLACE -- 2. Over My Dead Body: Puppets, Performance, and Paralysis in Cardiff and Miller’s The Marionette Maker / JENNIE HIRSH -- 3. Putting Words in Your Mouth and Images in Your Eyes / COURTNEY MCCLELLAN -- 4. Dislocated Voices: Wael Shawky’s Cabaret Crusades / KATE O’CONNOR -- PART II. Dummies. 5. García’s Juegos: Puppets, Immunity, Torture / JUAN CARLOS GUERRERO-HERNANDEZ -- 6. Dialectic Silence: Schizophonia in Juan Muñoz’s Ventriloquist Dummy / CINTIA GUTIERREZ REYES -- 7. Tadeusz Kantor’s Dead Dummies / KATIE GEHA -- PART III. Speech Acts. 8. I Remember: On Modern Living / NORA WENDL -- 9. Embolalia: Anna Deavere Smith Throwing Her Voice / JANE BLOCKER -- 10. Re-siting Marx: Okwui Enwezor, Ventriloquism, and the Das Kapital Oratorio / KERR HOUSTON -- PART IV. Echoes. 11. In a Manner of Speaking / CATHERINE CLOVER -- 12. Lithic record / NICHOLAS B . JACOBSEN AND NINA ELDER
"Ventriloquism, Performance, and Contemporary Art volume calls attention to the unexpected prevalence of ventriloqual motifs and strategies within contemporary art. Engaging with issues of voice, embodiment, power, and projection, the case studies assembled in this volume span a range of media from painting, sculpture, and photography to installation, performance, architecture, and video. Importantly, they both examine and enact ventriloqual practices, and do so as a means of interrogating and performatively bearing out contemporary conceptions of authorship, subjectivity, and performance. Put otherwise, the chapters in this book oscillate seamlessly between art history, theory, and criticism through both analytical and performative means. Across twelve essays on ventriloquism in contemporary art, the authors, who are curators, historians, and artists, shine light on this outdated practice, repositioning it as a conspicuous and meaningful trend within a range of artistic practices today." -- Utgivarens hemsida.