Participatory sound art : technologies, aesthetics, politics / Vadim Keylin.

Av: Språk: Engelska Serie: Palgrave studies in soundUtgivning: Basingstoke : Palgrave Macmillan, 2023Beskrivning: 155 pages illustrations (black and white) 21 cmInnehållstyp:
  • text, still image
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9789819963560
  • 9819963567
Ämne: Fler format: ebook version :: Ingen titelDDK-klassifikation:
  • 709.04074 23
SAB-klassifikation:
  • Iji
Innehåll:
1 Introduction. 1.1 Sound Art and Participation ; 1.2 Sound, Art, Music ; 1.3 Participation, Interactivity, Collaboration ; 2 Histories. 2.1 Sound, Participation and Gesamtkunstwerk ; 2.2 Sound and Participation in Historical Avantgarde ; 2.3 Sound and Participation in the Post-War Avantgarde ; 2.4 Sound and Participation After the Cold War ; 2.5 Interactive Audio and Digital Culture ; 3 Discourses. 3.1 Sonic, Spatial, Social ; 3.2 Sense Versus Senses ; 3.3 Sonic Pragmatism ; 3.4 Sonic Doing: Acts and Gestures ; 3.5 Creative Undergoing: Agencies and Ecologies ; 4 Affordances. 4.1 Sound Artworks as Platforms ; 4.2 Aesthetic Affordances ; 4.3 Technological Environments ; 4.4 Beyond the Artwork ; 4.5 Materiality and Sociality ; 5 Perspectives. 5.1 Creative Agency ; 5.2 Katrine Faber: Let Us Sing Your Place ; 5.3 Benoît Maubrey: Speaker Sculptures ; 5.4 Perspectives on Participation ; 6 Gestures. 6.1 Sonic Gestures Between Symbols and Actions ; 6.2 Gestures of Concern ; 6.3 Gestures of Empowerment ; 6.4 Gestures of Togetherness ; 6.5 Sounds of the Possible ; 7 Conclusion
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Book Musik- och teaterbiblioteket Elektronmusikstudion EMS EMS : A3 Väldigt försenat / Long overdue Checked out 2025-02-03 26201878277
Total holds: 0

1 Introduction. 1.1 Sound Art and Participation ; 1.2 Sound, Art, Music ; 1.3 Participation, Interactivity, Collaboration ; 2 Histories. 2.1 Sound, Participation and Gesamtkunstwerk ; 2.2 Sound and Participation in Historical Avantgarde ; 2.3 Sound and Participation in the Post-War Avantgarde ; 2.4 Sound and Participation After the Cold War ; 2.5 Interactive Audio and Digital Culture ; 3 Discourses. 3.1 Sonic, Spatial, Social ; 3.2 Sense Versus Senses ; 3.3 Sonic Pragmatism ; 3.4 Sonic Doing: Acts and Gestures ; 3.5 Creative Undergoing: Agencies and Ecologies ; 4 Affordances. 4.1 Sound Artworks as Platforms ; 4.2 Aesthetic Affordances ; 4.3 Technological Environments ; 4.4 Beyond the Artwork ; 4.5 Materiality and Sociality ; 5 Perspectives. 5.1 Creative Agency ; 5.2 Katrine Faber: Let Us Sing Your Place ; 5.3 Benoît Maubrey: Speaker Sculptures ; 5.4 Perspectives on Participation ; 6 Gestures. 6.1 Sonic Gestures Between Symbols and Actions ; 6.2 Gestures of Concern ; 6.3 Gestures of Empowerment ; 6.4 Gestures of Togetherness ; 6.5 Sounds of the Possible ; 7 Conclusion

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