Includes bibliographical references and index

Preface -- Introduction: Sound as Popular Culture / Jens Gerrit Papenburg, Holger Schulze -- I: Outlining a Non-Discipline: The Theory of Sound as Popular Culture. Conceptualizing Sound -- 1: The Sonic: Sound Concepts of Popular Culture / Peter Wicke -- 2: Sound/Music / Diedrich Diederichsen -- 3: Popular Culture / Thomas Hecken -- 4: Sound Practices / Carla J. Maier -- 5: Sound as Musical Material: Three Approaches to a Material Perspective on Sound and Music / Rolf Großmann, Maria Hanáček -- Questioning Disciplines -- 6: Sound Studies versus (Popular) Music Studies / Marta García Quiñones -- 7: Sound and Racial Politics: Aural Formations of Race in a Color-Deaf Society / Carlo Nardi -- 8: Sound Studies across Continents: A Multidisciplinary Research Approach / Thomas Burkhalter -- Establishing New Methodologies -- 9: Ethnography and Archival Research in Studying Cultures of Sound / Karin Bijsterveld -- 10: Sonic Epistemology / Holger Schulze -- 11: Historicization in Pop Culture: From Noise Reduction to Noise Recording / Bodo Mrozek -- 12: Sound and Media Studies: Archiving and the Construction of Sonic Heritage / Carolyn Birdsall -- 13: Soccer Stadium as Soundscape: Sound and Subjectivity / Jochen Bonz -- II: Formations of Listening: Popular Culture by Ear. Making History by Ear -- 14: The Invention of the Listener: An(other) History / Veit Erlmann -- 15: Sonic Modernities: Listening to Diasporic Urban Music / Carla J. Maier -- 16: On the Modern Listener / Marta García Quiñones -- Listening Materialities and Techniques -- 17: Listening and Digital Technologies / Anahid Kassabian -- 18: Enhanced Bass: On 1970s Disco Culture's Listening Devices / Jens Gerrit Papenburg -- 19: Baby Monitor: Parental Listening and the Organization of Domestic Space / Andrea Mihm -- 20: Over-Hearing: Techniques of Popular Listening / Jacob Smith -- 21: Technological Sensory Training / Michael Bull -- Concepts of Listening -- 22: Listening as Gesture and Movement / Paul Théberge -- 23: Concepts of Fidelity / Franco Fabbri -- 24: Loudness Cultures: Practices, Conflicts, Discourses / Susanne Binas-Preisendörfer -- 25: Existential Orientation: The Sound Knowledge of Fans / Diedrich Diederichsen -- 26: Corporeal Listening / Holger Schulze -- III: Producting Sonic Artifacts: Hands-On Popular Culture. Material Sound Concepts -- 27: Records on the Radio / Thomas Schopp -- 28: From Stationality to Radio Aesthetics: Investigations on Radiophonic Sounds / Golo Föllmer -- 29: World Music 2.0: Updated and Expanded / Thomas Burkhalter -- 30: Computer Game Sound: From Diegesis to Immersion to Sonic Emotioneering / Mark Grimshaw -- Production Processes -- 31: “Syd’s Theme”: On the Conceptualization of Audio Production Processes / Franco Fabbri -- 32: Sonic Signatures in Record Production / Toby Seay -- 33: Phonographic Work: Reading and Writing Sound / Rolf Großmann -- 34: Listener Orientation / Mark J. Butler -- 35: (Re-)Mastering Sonic Media History / Jens Gerrit Papenburg -- Cultural Sound Practices -- 36: Distorted Voices, Afrofuturism, and the Aesthetic Experience ofthe Self as Other / Jochen Bonz -- 37: Critical Listening / Carlo Nardi -- 38: Sonic Cartoons / Simon Zagorski-Thomas

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