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La danse ancienne et moderne ou Traité historique de la danse. Par M. de Cahusac, ... Tome second.

Av:

Cahusac, Louis de, 1706-1759 [aut]

Språk: Franska Utgivning: A La Haye, chez Jean Neaulme. M. DCC. LIV. 1754Beskrivning: 180, [16] s. 12:oBiuppslag, ortnamn: Frankrike Paris.Innehållstyp:

text

Medietyp:

unmediated

Bärartyp:

volume

Ämne:

Dans -- historia

DDK-klassifikation:

792.8 23/swe

SAB-klassifikation:

Sammanfattning: "This three-volume work on dance history describes dance from its origins through the court fêtes of Louis XIV. Volume one stresses the importance of studying the theories of all the arts and covers the dance history of numerous ancient civilizations including Greek, Roman, Turkish, and Egyptian. Volume two describes the renaissance of the arts and the origins of ballet to 1610. Volume three focuses on dance in the court of Henri IV and the establishment of French opera. Cahusac borrows heavily from other writers, especially Philippe Quinault. Although by twentieth-century scholastic standards, Cahusac's interpretations may be problematic, the work formed the foundation for much of the writing on dance history until the twentieth century" (LC)Anmärkning bestånd: Litteratur rar 1146 | Ej hemlån | Ej fjärrlån | Tidigare en del av Musikhistoriska museet/Musikmuseets samlingar Anmärkning bestånd: Litteratur rar 1146 | Tidigare en del av Musikhistoriska museet/Musikmuseets samlingar

Holdings ( 1 )
Title notes ( 3 )

Holdings
Cover image	Item type	Current library	Home library	Collection	Shelving location	Call number	Materials specified	Vol info	URL	Copy number	Status	Notes	Date due	Barcode	Item holds	Item hold queue priority	Course reserves
	Book, reading onsite	Musik- och teaterbiblioteket Magasin B				Litteratur rar 1146					Available (Endast läsesalslån / Onsite reading only)			26201577435

Total holds: 0

Del 2 av 3

"This three-volume work on dance history describes dance from its origins through the court fêtes of Louis XIV. Volume one stresses the importance of studying the theories of all the arts and covers the dance history of numerous ancient civilizations including Greek, Roman, Turkish, and Egyptian. Volume two describes the renaissance of the arts and the origins of ballet to 1610. Volume three focuses on dance in the court of Henri IV and the establishment of French opera. Cahusac borrows heavily from other writers, especially Philippe Quinault. Although by twentieth-century scholastic standards, Cahusac's interpretations may be problematic, the work formed the foundation for much of the writing on dance history until the twentieth century" (LC)

X Fryklunds Bournovillesamling 170