Boundaries of violence in early modern England / edited by Samantha Dressel and Matthew Carter.
Språk: Engelska Serie: Routledge advances in theatre & performance studiesUtgivning: Abingdon, Oxon : Routledge, 2024Utgivningstid: ©2024Beskrivning: x, 159 sidorInnehållstyp:- text
- unmediated
- volume
- 9781032333359
- 792 23/swe
- G.096z Våld
- Ge.02
- Ikb.4
| Cover image | Item type | Current library | Home library | Collection | Shelving location | Call number | Materials specified | Vol info | URL | Copy number | Status | Notes | Date due | Barcode | Item holds | Item hold queue priority | Course reserves | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Book | Musik- och teaterbiblioteket Öppen samling, seminarieytan | B35.015 | Available | 26201862542 |
Innehåller bibliografiska referenser och index
The boundaries of theatrical violence / Matthew Carter -- "Witchy woman": Reading women and occult power in popular literature of early modern England / Courtney A. Parker -- The grotesque female body on the scaffold: The execution of Annis Bankyn (1590) / Jennifer Loine-Chaffey -- "I will keepe none of there bastardes": The violence of scarcity in Ben Jonson's Every man out of his humour / Anthony Brano -- "A x to her, slaps her face - she kneels": Violence between the lines in 2.4 of Measure for measure / Sid Ray -- "Villains, all three": Object-led violence in The revenger's tragedy / Anna L. Hegland -- Fool on the body and madness on the mind in John Marston's Antonio plays / Scott O'Neil -- "Slack in [neither] tongue [nor] performance": The duchess's maternal authority and incestuous revenge in The revenger's tragedy / Rose M. Zaloom -- "The stroke for the most wronged of women': Sexual coercion and revenge violence in The maid's tragedy / Samantha Dressel
This book explores the possibilities and limitations of violence on the Early Modern stage and in the Early Modern world. This collection is divided into three sections: History-cal Violence, (Un)Comic Violence, and Revenge Violence. This division allows scholars to easily find intertextual materials; comic violence may function similarly across multiple comedies but is vastly different from most tragic violence. While the source texts move beyond Shakespeare, this book follows the classic division of Shakespeare's plays into history, comedy, and tragedy. Each section of the book contains one chapter engaging with modern dramatic practice along with several that take textual or historical approaches. This wide-ranging approach means that the book will be appropriate both for specialists in Early Modern violence who are looking across multiple perspectives, and for students or scholars researching texts or approaches.