Restoration theatre airs / transcribed and edited by Peter Holman and Andrew Woolley.

Medverkande: Editionsnummer: MB 110Språk: Icke-språkligt medium Serie: Musica Britannica ; 110Utgivning: London : Stainer and Bell, 2025Beskrivning: 1 partitur (lix, 156 sidor) faksimilInnehållstyp:
  • notated music
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9780852499757
Ämne: Genre/Form: DDK-klassifikation:
  • 784.71858 23/swe
SAB-klassifikation:
  • Xld
  • Xmcd
  • Xreb
Innehåll:
Airs for The Tempest by William Shakespeare, adapted by John Dryden, William Davenant and Thomas Shadwell, for the Duke’s Company (DG, 30 April 1674). The First Music: (a) Introduction, (b) Galliard, (c) Gavot; The Second Music: (d) Saraband, (e) Lilk; (f) Curtain Tune, (g) The First Act Tune: Rustic Air, (h) The Second Act Tune: Minuet, (i) The Third Act Tune: Corant, (j) The Fourth Act Tune: A Martial Jig, (k) The Conclusion: A Canon 4 in 2 / Matthew Locke (1621/2–77) and Robert Smith (c. 1648–75) -- Airs for Pastor Fido, or The Faithful Shepherd by Elkanah Settle, for the Duke’s Company (DG, November or December 1676). (a) Curtain Tune, [Chaconne], (b) [ Jig], (c) [Minuet], (d) [Borry], (e) [Minuet], (f) [Gavot]; Appendix (bass part only): (g) [Air], (h) [Air], (i) [Corant], (j) [Jig] / William Turner (1651/2–1740) -- Airs for Mustapha, the Son of Solyman the Magnificent by Roger Boyle, Earl of Orrery, possibly for an unidentified revival around 1680. (a) Overture, (b) [Air], (c) [Minuet], (d) [Air], (e) [Minuet], (f) [Air], (g) [Minuet] / Anonymous -- Airs for Valentinian by John Fletcher, adapted by John Wilmot, Earl of Rochester, for the United Company (HT, 11 February 1684). (a) Air pour les haubois – Air pour les flûtes, (b) Prelude, (c) Air pour Jupiter – Air pour les suivans de Jupiter, (d) Air pour les songes affreux, (e) Air pour les Satires, (f) Menuet / Louis Grabu (fl. 1665–94) -- Airs for The Mourning Bride by William Congreve, for Betterton’s Company (LIF, 20 February 1697). (a) Overture, (b) Borry, (c) [Air], (d) [Minuet], (e) Air, (f) [Curtain Tune], (g) Air, (h) [Minuet], (i) Gavot, (j) [Air]; Appendix 1: (k) Roundo Air, (l) Air, (m) Air, (n) Minuet, (o) [Air]; Appendix 2 (bass part only): (p) [Air] / Gottfried Finger (c. 1655–1730) -- Airs for The Innocent Mistress by Mary Pix, for Betterton’s Company (LIF, late June 1697). (a) [First Music: Minuet], (b) [Second Music: Gavot], (c) Overture, (d) [Curtain Tune: Minuet], (e) [First Act Tune: Slow Air], (f) [Second Act Tune: Minuet], (g) [Third Act Tune: Slow Air], (h) [Fourth Act Tune: Gavot] / Francis Forcer (1649–1705) -- Airs for Courtship A-la-Mode by David Crauford, for Rich’s Company (DL, 9 July 1700). (a) Overture, (b) Air, (c) Air, (d) Roundo, (e) Roundo Minuet, (f) Air, (g) Hornpipe, (h) Roundo Scotch Tune / William Croft (1678–1727) -- Airs for The Mad Lover by John Fletcher, adapted by Peter Anthony Motteux, for Betterton’s Company (LIF, probably January 1701). (a) Overture, (b) Air, (c) Air, (d) Slow Air, (e) Air, (f) Jig, (g) Air, (h) Air, (i) Air / John Eccles (1670–1735) -- Airs for All for the Better, or The Infallible Cure by Francis Manning, for Rich’s Company (DL, October 1702). (a) Overture, (b) Gavot, (c) Roundo Hornpipe, (d) Air, (e) Roundo Air, (f) Air, (g) Farewell, (h) Scotch Tune, (i) Roundo Minuet / Jeremiah Clarke (c. 1674–1707) -- Airs for She Wou’d and She Wou’d Not, or The Kind Imposter by Colley Cibber, for Rich’s Company (DL, 26 November 1702). (a) Overture, (b) Almand, (c) Minuet, (d) Air, (e) Jig, (f) Gavot, (g) Saraband, (h) Corant / James Paisible (c. 1656–1721) -- Airs for Love Betray’d, or The Agreeable Disappointment by William Burnaby, for Betterton’s Company (LIF, probably January 1703). (a) Overture, (b) Almand, (c) Saraband, (d) Minuet, (e) Corant, (f) Slow Air, (g) March, (h) Slow Air, (i) Roundo / William Corbett (1680–1748) -- Airs for The Albion Queens, or The Death of Mary Queen of Scots by John Banks, for Rich’s Company (DL, 6 March 1704). (a) Overture, (b) Air, (c) Jig, (d) Saraband, (e) Air [Cibell], (f) Jig, (g) Roundo, (h) Gavot, (i) Jig / John Barrett (c. 1676–1719) -- Airs for The Stratagem by George Farquhar, for Swiney’s Company (QT, 8 March 1707). (a) Overture, (b) Trumpet Tune, (c) Almand, (d) Air, (e) Saraband, (f) Gavot, (g) Air, (h) Jig, (i) Jig / ?Pierre Gillier (b. 1665) (DG = Dorset Garden Theatre; DL = Drury Lane Theatre; HT = Hall Theatre in Whitehall; LIF = Lincoln’s Inn Fields Theatre; QT = Queen’s Theatre in the Haymarket)
Anmärkning bestånd: REF | Xa | MB 110 | Ej hemlån
List(s) this item appears in: Noter 2025
Holdings
Item type Current library Collection Call number Status Barcode
Score, reading onsite Musik- och teaterbiblioteket Referens, inre bokhall Partitur REF Xa MB 110 Available (Endast läsesalslån / Onsite reading only) 26201885185
Total holds: 0

För stråkorkester (för alternativ och detaljer, se Notes on performance)

Airs for The Tempest by William Shakespeare, adapted by John Dryden, William Davenant and Thomas Shadwell, for the Duke’s Company (DG, 30 April 1674). The First Music: (a) Introduction, (b) Galliard, (c) Gavot; The Second Music: (d) Saraband, (e) Lilk; (f) Curtain Tune, (g) The First Act Tune: Rustic Air, (h) The Second Act Tune: Minuet, (i) The Third Act Tune: Corant, (j) The Fourth Act Tune: A Martial Jig, (k) The Conclusion: A Canon 4 in 2 / Matthew Locke (1621/2–77) and Robert Smith (c. 1648–75) -- Airs for Pastor Fido, or The Faithful Shepherd by Elkanah Settle, for the Duke’s Company (DG, November or December 1676). (a) Curtain Tune, [Chaconne], (b) [ Jig], (c) [Minuet], (d) [Borry], (e) [Minuet], (f) [Gavot]; Appendix (bass part only): (g) [Air], (h) [Air], (i) [Corant], (j) [Jig] / William Turner (1651/2–1740) -- Airs for Mustapha, the Son of Solyman the Magnificent by Roger Boyle, Earl of Orrery, possibly for an unidentified revival around 1680. (a) Overture, (b) [Air], (c) [Minuet], (d) [Air], (e) [Minuet], (f) [Air], (g) [Minuet] / Anonymous -- Airs for Valentinian by John Fletcher, adapted by John Wilmot, Earl of Rochester, for the United Company (HT, 11 February 1684). (a) Air pour les haubois – Air pour les flûtes, (b) Prelude, (c) Air pour Jupiter – Air pour les suivans de Jupiter, (d) Air pour les songes affreux, (e) Air pour les Satires, (f) Menuet / Louis Grabu (fl. 1665–94) -- Airs for The Mourning Bride by William Congreve, for Betterton’s Company (LIF, 20 February 1697). (a) Overture, (b) Borry, (c) [Air], (d) [Minuet], (e) Air, (f) [Curtain Tune], (g) Air, (h) [Minuet], (i) Gavot, (j) [Air]; Appendix 1: (k) Roundo Air, (l) Air, (m) Air, (n) Minuet, (o) [Air]; Appendix 2 (bass part only): (p) [Air] / Gottfried Finger (c. 1655–1730) -- Airs for The Innocent Mistress by Mary Pix, for Betterton’s Company (LIF, late June 1697). (a) [First Music: Minuet], (b) [Second Music: Gavot], (c) Overture, (d) [Curtain Tune: Minuet], (e) [First Act Tune: Slow Air], (f) [Second Act Tune: Minuet], (g) [Third Act Tune: Slow Air], (h) [Fourth Act Tune: Gavot] / Francis Forcer (1649–1705) -- Airs for Courtship A-la-Mode by David Crauford, for Rich’s Company (DL, 9 July 1700). (a) Overture, (b) Air, (c) Air, (d) Roundo, (e) Roundo Minuet, (f) Air, (g) Hornpipe, (h) Roundo Scotch Tune / William Croft (1678–1727) -- Airs for The Mad Lover by John Fletcher, adapted by Peter Anthony Motteux, for Betterton’s Company (LIF, probably January 1701). (a) Overture, (b) Air, (c) Air, (d) Slow Air, (e) Air, (f) Jig, (g) Air, (h) Air, (i) Air / John Eccles (1670–1735) -- Airs for All for the Better, or The Infallible Cure by Francis Manning, for Rich’s Company (DL, October 1702). (a) Overture, (b) Gavot, (c) Roundo Hornpipe, (d) Air, (e) Roundo Air, (f) Air, (g) Farewell, (h) Scotch Tune, (i) Roundo Minuet / Jeremiah Clarke (c. 1674–1707) -- Airs for She Wou’d and She Wou’d Not, or The Kind Imposter by Colley Cibber, for Rich’s Company (DL, 26 November 1702). (a) Overture, (b) Almand, (c) Minuet, (d) Air, (e) Jig, (f) Gavot, (g) Saraband, (h) Corant / James Paisible (c. 1656–1721) -- Airs for Love Betray’d, or The Agreeable Disappointment by William Burnaby, for Betterton’s Company (LIF, probably January 1703). (a) Overture, (b) Almand, (c) Saraband, (d) Minuet, (e) Corant, (f) Slow Air, (g) March, (h) Slow Air, (i) Roundo / William Corbett (1680–1748) -- Airs for The Albion Queens, or The Death of Mary Queen of Scots by John Banks, for Rich’s Company (DL, 6 March 1704). (a) Overture, (b) Air, (c) Jig, (d) Saraband, (e) Air [Cibell], (f) Jig, (g) Roundo, (h) Gavot, (i) Jig / John Barrett (c. 1676–1719) -- Airs for The Stratagem by George Farquhar, for Swiney’s Company (QT, 8 March 1707). (a) Overture, (b) Trumpet Tune, (c) Almand, (d) Air, (e) Saraband, (f) Gavot, (g) Air, (h) Jig, (i) Jig / ?Pierre Gillier (b. 1665) (DG = Dorset Garden Theatre; DL = Drury Lane Theatre; HT = Hall Theatre in Whitehall; LIF = Lincoln’s Inn Fields Theatre; QT = Queen’s Theatre in the Haymarket)

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