An introduction to K-pop and BTS : hybridity and transcultural reimaginings / Joanne Miyang Cho, Tessa C. Lee.

Av: Medverkande: Språk: Engelska Serie: Palgrave pivotUtgivning: Cham : Palgrave Macmillan, [2025]Utgivningstid: ©2025Beskrivning: ix, 177 sidor 22 cmInnehållstyp:
  • text
Medietyp:
  • unmediated
Bärartyp:
  • volume
ISBN:
  • 9783031988271
Ämne: Genre/Form: DDK-klassifikation:
  • 781.63095195 23/swe
SAB-klassifikation:
  • Ijxnv
  • Ijb-oebb.6
Omfattning och innehåll: "This Palgrave Pivot examines a key area of the Korean Wave or Hallyu, which stands for the global popularity of South Korean popular culture that started in the 1990s. While K-dramas (Korean dramas) have found many viewers throughout Asian countries and some Western countries in recent years, K-pop (Korean popular music) has had broader appeal not only to Asian audiences, but also American (North and South), European, and Middle-Eastern audiences. This book's unique contribution is to provide a concise and succinct analysis of K-pop from transcultural perspectives through its most famous example, BTS. The first chapter contextualizes K-pop within the Korean Wave movement. The second and third chapters provide a history of K-Pop, spanning from Seo Taiji and Boys in the early 1990s to the present (including BTS and Blackpink), and presents K-pop as a glocalized phenomenon. The fourth, fifth, and sixth chapters critically examine the most prominent band in the K-pop world, BTS, and the unique connections to their transnational fandom called ARMY."
List(s) this item appears in: Musiklitteratur vintern 2025-2026
Holdings
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Book Musik- och teaterbiblioteket Öppen samling, seminarieytan C19.005 Available 26201890533
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Innehåller bibliografiska referenser och index.

"This Palgrave Pivot examines a key area of the Korean Wave or Hallyu, which stands for the global popularity of South Korean popular culture that started in the 1990s. While K-dramas (Korean dramas) have found many viewers throughout Asian countries and some Western countries in recent years, K-pop (Korean popular music) has had broader appeal not only to Asian audiences, but also American (North and South), European, and Middle-Eastern audiences. This book's unique contribution is to provide a concise and succinct analysis of K-pop from transcultural perspectives through its most famous example, BTS. The first chapter contextualizes K-pop within the Korean Wave movement. The second and third chapters provide a history of K-Pop, spanning from Seo Taiji and Boys in the early 1990s to the present (including BTS and Blackpink), and presents K-pop as a glocalized phenomenon. The fourth, fifth, and sixth chapters critically examine the most prominent band in the K-pop world, BTS, and the unique connections to their transnational fandom called ARMY."

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