Musik- och teaterbiblioteket

The producer as composer : shaping the sounds of popular music / Virgil Moorefield

Av: Moorefield, Virgil
Utgivare: Cambridge, Mass. : MIT Press, cop. 2005Beskrivning: xix, 143 sISBN: 0-262-13457-8; 978-0-262-51405-7 (pbk pr. 2010)Ämne(n): Popular music -- Production and direction -- History | Sound recordings -- Production and direction -- History | Grammofonskivor | Populärmusik -- 1900-talet | Ljudproduktion | Musikbranschen | Musikinspelning | MusikproducenterDDK-klassifikation: 781.49 | 781.49 SAB-klassifikation: Ijx | Ijb.55 | Ijae Anmärkning bestånd: B24.887 Libris-ID: 10067647Summary: The evolution of the record producer from technician to auteur, from Phil Spector and George Martin to the rise of hip-hop and remixing. In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate eclecticism of George Martin's recordings of the Beatles did not resemble live performances - in the Albert Hall or elsewhere - but instead created a new sonic world
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The evolution of the record producer from technician to auteur, from Phil Spector and George Martin to the rise of hip-hop and remixing. In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate eclecticism of George Martin's recordings of the Beatles did not resemble live performances - in the Albert Hall or elsewhere - but instead created a new sonic world

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