Musik- och teaterbiblioteket

Nadia and Lili Boulanger / Caroline Potter

Av: Potter, CarolineUtgivare: Aldershot ; Burlington, VT : Ashgate, cop. 2006Beskrivning: 191 s. : musiknoterISBN: 0-7546-0472-1 (alk. paper); 978-0-7546-0472-3 (alk. paper)Ämne(n): Boulanger, Nadia, 1887-1979 | Boulanger, Lili, 1893-1918 | Women music teachers -- France -- Biography | Women composers -- France -- Biography | Music -- France -- 20th century -- History and criticism | Kvinnliga tonsättare -- Frankrike -- 1900-talet | Kvinnor och musik -- Frankrike -- 1900-taletDDK-klassifikation: 780.92/2 | B LC-klassifikation: ML385 | .P75 2006SAB-klssifikation: Ijz Boulanger, Nadia | Aaxz Boulanger, Nadia | Ijz Boulanger, Lili | Aaxz Boulanger, Lili
Anmärkning:
The sisters and their composing careers -- Towards the Prix de Rome -- The music of Nadia Boulanger -- The music of Lili Boulanger after 1913 -- Nadia Boulanger as teacher -- Reputations
Anmärkning bestånd: B25.279 Libris-ID: 10300614Summary: Pioneers in their fields and two of the best-known women in music in the twentieth century, Nadia and Lili Boulanger have previously been considered in isolation from one another. This biography provides an analysis of the Boulanger sisters' musical styles, placing them within the context of French musical history
Item type Current library Call number Materials specified Copy number Status Date due Barcode Item holds
Book Musik- och teaterbiblioteket
Magasin A
B25.279 1 Available 26201809278
Total holds: 0

Includes catalogue of Nadia's works, catalogue of Lili's works, and bibliographical references

The sisters and their composing careers -- Towards the Prix de Rome -- The music of Nadia Boulanger -- The music of Lili Boulanger after 1913 -- Nadia Boulanger as teacher -- Reputations

Pioneers in their fields and two of the best-known women in music in the twentieth century, Nadia and Lili Boulanger have previously been considered in isolation from one another. This biography provides an analysis of the Boulanger sisters' musical styles, placing them within the context of French musical history

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