Musik- och teaterbiblioteket

Blixa Bargeld and Einstürzende Neubauten : German experimenal music : 'evading do-re-mi' / Jennifer Shryane.

Av: Shryane, Jennifer, 1947- [aut]Language: English Series: Ashgate popular and folk music seriesPublisher: Farnham : Ashgate, cop. 2011Beskrivning: xii, 253 s. ill. 24 cmISBN: 9781409421566; 1409421562Ämne(n): Bargeld, Blixa | Einstürzende Neubauten | Elektronisk musik | Experimentell musik | Industrimusik | Rock musicians -- Germany | Avant-garde (Music) -- Germany | TysklandDDK-klassifikation: 782.421660922 LC-klassifikation: ML421.E5 S57 2011SAB-klssifikation: Ijz Einstürzende Neubauten | Ijxnei
Anmärkning:
Cover; Contents; List of Figures; Vorwort; Acknowledgments; Abbreviations; Part I: Context for Destruction; Part III: Performing Reconstruction; Appendix 1: Einstürzende Neubauten; Appendix 2: Warten auf die Barbaren; Appendix 3: Jo Mitchell's Reconstruction of Concerto for Voice and Machinery; Appendix 4: 'She is Happy like Roadworks'; Bibliography; Index
Anmärkning bestånd: B28.300 | EMS : F1 Einstürzende Neubaten Libris-ID: 12429098Summary: Jennifer Shryane provides a much-needed analysis of Einstürzende Neubauten 's important place in popular/experimental music history. She illustrates their innovations with found- and self-constructed instrumentation, their Artaudian performance strategies and textual concerns, as well as their methods of independence. The group have also made a consistent and unique contribution to the development of the independent German Language Contemporary Music scene, which although often acknowledged as influential, is still rarely examined
Item type Current library Call number Materials specified Copy number Status Date due Barcode Item holds
Book Musik- och teaterbiblioteket
Magasin A
B28.300 1 Available 26201824341
Book Musik- och teaterbiblioteket
Elektronmusikstudion EMS
EMS : F1 Einstürzende Neubauten 2 Available (Längre framtagningstid) 26201822579
Total holds: 0

Cover; Contents; List of Figures; Vorwort; Acknowledgments; Abbreviations; Part I: Context for Destruction; Part III: Performing Reconstruction; Appendix 1: Einstürzende Neubauten; Appendix 2: Warten auf die Barbaren; Appendix 3: Jo Mitchell's Reconstruction of Concerto for Voice and Machinery; Appendix 4: 'She is Happy like Roadworks'; Bibliography; Index

Jennifer Shryane provides a much-needed analysis of Einstürzende Neubauten 's important place in popular/experimental music history. She illustrates their innovations with found- and self-constructed instrumentation, their Artaudian performance strategies and textual concerns, as well as their methods of independence. The group have also made a consistent and unique contribution to the development of the independent German Language Contemporary Music scene, which although often acknowledged as influential, is still rarely examined

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