The music libel against the Jews / Ruth HaCohen.

Av: HaCohen, Ruth [aut]Language: English Publisher: New Haven : Yale University Press, c2011Beskrivning: 507 s., [4] pl.-s. ill., musiknoterISBN: 9780300194777; 9780300167788Ämne(n): Judar i musiken | Jews in music | Music by Jewish composers -- History and criticism | Judaism -- Relations -- Christianity -- History | Kristendom och judendom -- historiaDDK-klassifikation: 780.89/924 SAB-klssifikation: Ijb | Ijsa | Ijsbi
Anmärkning:
Introduction: Vocal fictions of noise and harmony ; Reciprocated rituals and noisy encounters: music libels and their antidotes ; Rethinking and enacting sympathetic worlds: the eighteenth-century oratorical legacies of Bach, Lessin and Handel ; Noise in the house of prayer: ethnography transfigured ; "Jews (and Jewesses) like you and me": vocal imaginaries of Mendelssohn, Meyerbeer, Heine and Halévy ; The Judengasse synagogue versus the Temple of the Grail: motives of sympathy and redemptive modes in Danie Deronda and Parsifal ; The aesthetic theology of multivocality: Arnold Schoenberg among alter egos ; The end: essentializing Jewish noise in Nazi movies ; Epilogue: Reflections on the intersecting boundaries of voice and community
Anmärkning bestånd: B29.734 Libris-ID: 13753885
Item type Current library Call number Materials specified Copy number Status Date due Barcode Item holds
Book Musik- och teaterbiblioteket
Magasin A 		B29.734 1 Available 26201835713
Total holds: 0

Innehåller bibliografi och index

Introduction: Vocal fictions of noise and harmony ; Reciprocated rituals and noisy encounters: music libels and their antidotes ; Rethinking and enacting sympathetic worlds: the eighteenth-century oratorical legacies of Bach, Lessin and Handel ; Noise in the house of prayer: ethnography transfigured ; "Jews (and Jewesses) like you and me": vocal imaginaries of Mendelssohn, Meyerbeer, Heine and Halévy ; The Judengasse synagogue versus the Temple of the Grail: motives of sympathy and redemptive modes in Danie Deronda and Parsifal ; The aesthetic theology of multivocality: Arnold Schoenberg among alter egos ; The end: essentializing Jewish noise in Nazi movies ; Epilogue: Reflections on the intersecting boundaries of voice and community

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