Reenacting Shakespeare in the Shakespeare aftermath : the intermedial turn and turn to embodiment / Thomas Cartelli.

Av: Cartelli, Thomas [aut]Language: English Series: Reproducing ShakespearePublisher: New York : Palgrave Macmillan, [2019]Copyright date: ©2019Beskrivning: xvii, 343 sidor illustrationerInnehållstyp: text Mediatyp: unmediated Bärartyp: volumeISBN: 9781137404817Ämne(n): Shakespeare, William, 1564-1616 | Engelsk dramatik | Bearbetningar för teater | Bearbetningar för film | Teateruppsättningar | Film | ExperimentteaterDDK-klassifikation: 822.33 SAB-klssifikation: Gez
Anmärkning:
Part I. Introduction. 1. Reenacting Shakespeare in the Shakespeare aftermath -- 2. The intermedial turn and turn to embodiment -- Part II. Ghosts of history. 3. Ghosts of history : Edward Bond’s Lear & Bingo and Heiner Müller’s Hamletmachine -- 4. States of exception : remembering Shakespeare differently in Anatomie Titus, Forget Hamlet & Haider -- 5. Peter Greenaway’s montage of attractions : Prospero’s books and the paratextual imagination -- Part III. Ghosts of the machine. 6. Channeling the ghosts : The Wooster Group’s remediation of the 1964 electronovision Hamlet -- 7. High-tech Shakespeare in a mediatized globe : Ivo van Hove’s Roman tragedies and the problem of spectatorship -- 8. Disassembly, meaning-making and montage in Annie Dorsen’s A piece of work and Péter Lichter and Bori Máté’s The rub -- 9. Coda : mixed reality : the virtual future and return to embodiment.
Anmärkning bestånd: C17.203 Libris-ID: cnc2qp8f92mb3qgg
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Book Musik- och teaterbiblioteket
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Part I. Introduction. 1. Reenacting Shakespeare in the Shakespeare aftermath -- 2. The intermedial turn and turn to embodiment -- Part II. Ghosts of history. 3. Ghosts of history : Edward Bond’s Lear & Bingo and Heiner Müller’s Hamletmachine -- 4. States of exception : remembering Shakespeare differently in Anatomie Titus, Forget Hamlet & Haider -- 5. Peter Greenaway’s montage of attractions : Prospero’s books and the paratextual imagination -- Part III. Ghosts of the machine. 6. Channeling the ghosts : The Wooster Group’s remediation of the 1964 electronovision Hamlet -- 7. High-tech Shakespeare in a mediatized globe : Ivo van Hove’s Roman tragedies and the problem of spectatorship -- 8. Disassembly, meaning-making and montage in Annie Dorsen’s A piece of work and Péter Lichter and Bori Máté’s The rub -- 9. Coda : mixed reality : the virtual future and return to embodiment.

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