Studies in seventeenth-century opera / edited by Beth L. Glixon.

Medverkande: Glixon, Beth Lise, 1952- [edt]
Language: English Serie: The Ashgate library of essays in opera studies: Publisher: Farnham : Ashgate Publishing Limited, [2010]Copyright date: ©2010Beskrivning: xxxiii, 479 sidor illustrationer, musiknoterInnehållstyp: text Mediatyp: unmediated Bärartyp: volumeISBN: 9780754629016Ämne(n): 1600-talet | Opera | EuropaGenre/Form: SamlingsverkDDK-klassifikation: 781.09409032
Anmärkning:
Innehåller bibliografiska referenser och index
Anmärkning:
Singing Orfeo: on the performers of Monteverdi's first opera / Tim Carter -- Training a singer for musica recitativa in early seventeenth-century Italy: the case of Baldassare / John Walter Hill -- Re-voicing Arianna and (laments): two women respond / Suzanne G. Cusick -- Monteverdi's mimetic art: L'incoronazione di Poppea / Ellen Rosand -- Tacitus incognito: opera as history in L'incoronazione di Poppea / Wendy Heller -- Didone by Cavalli and Busenello: from the sources to modern productions / Dinko Fabris -- Censoring Eliogabalo in seventeenth-century Venice / Mauro Calcagno -- La sirena antica dell'Adriatico: Caterina Porri, a seventeenth-century Roman prima donna on the stages of Venice, Bologna and Pavia / Beth L. Glixon -- Dances from the "four corners of the earth": exoticism in seventeenth-century Venetian opera / Irene Alm -- On the road with the "suitcase aria": the transmission of borrowed arias in late seventeenth-century Italian opera revivals / Jennifer Williams Brown -- Why the first opera given in Paris wasn't Roman / Margaret Murata -- The articulation of Lully's dramatic dialogue / Lois Rosow -- Recovering the Lullian divertissement / Rebecca Harris-Warrick -- Opera and the Spanish political agenda / Louise K. Stein -- What did Handel learn from Steffani's operas? / Colin Timms -- Performance and political allegory in restoration England: what to interpret and when / Andrew R. Walkling -- The politics of opera in late seventeenth-century London / Robert D. Hume
Anmärkning bestånd: B32.602 Libris-ID: n0r0vj5llnw5w835
List(s) this item appears in: Nyförvärv musiklitteratur januari-april 2020
Item type Current location Call number Status Date due Barcode Item holds
Musical score Musik- och teaterbiblioteket
Plan 5
B32.602 Available 26201859236
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Innehåller bibliografiska referenser och index

Singing Orfeo: on the performers of Monteverdi's first opera / Tim Carter -- Training a singer for musica recitativa in early seventeenth-century Italy: the case of Baldassare / John Walter Hill -- Re-voicing Arianna and (laments): two women respond / Suzanne G. Cusick -- Monteverdi's mimetic art: L'incoronazione di Poppea / Ellen Rosand -- Tacitus incognito: opera as history in L'incoronazione di Poppea / Wendy Heller -- Didone by Cavalli and Busenello: from the sources to modern productions / Dinko Fabris -- Censoring Eliogabalo in seventeenth-century Venice / Mauro Calcagno -- La sirena antica dell'Adriatico: Caterina Porri, a seventeenth-century Roman prima donna on the stages of Venice, Bologna and Pavia / Beth L. Glixon -- Dances from the "four corners of the earth": exoticism in seventeenth-century Venetian opera / Irene Alm -- On the road with the "suitcase aria": the transmission of borrowed arias in late seventeenth-century Italian opera revivals / Jennifer Williams Brown -- Why the first opera given in Paris wasn't Roman / Margaret Murata -- The articulation of Lully's dramatic dialogue / Lois Rosow -- Recovering the Lullian divertissement / Rebecca Harris-Warrick -- Opera and the Spanish political agenda / Louise K. Stein -- What did Handel learn from Steffani's operas? / Colin Timms -- Performance and political allegory in restoration England: what to interpret and when / Andrew R. Walkling -- The politics of opera in late seventeenth-century London / Robert D. Hume

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