Singing to the lyre in renaissance Italy : memory, performance, and oral poetry / Blake Wilson.

Av: Wilson, Blake McDowell, 1952- [aut]
Language: English Publisher: Cambridge : Cambridge University Press, 2020Copyright date: ©2020Utgåva: First published 2020Beskrivning: xii, 473 sidor illustrationer 26 cmInnehållstyp: text Mediatyp: unmediated Bärartyp: volumeISBN: 9781108488075Ämne(n): 1300-talet | 1400-talet | 1500-talet | Renässansmusik | Röst och luta | Italiensk poesi | Vokalmusik | Musikhistoria | ItalienDDK-klassifikation: 780.9031
Anmärkning:
Innehåller bibliografiska referenser (s. 423-460) och index
Anmärkning:
Part I : The canterino tradition -- 1. Early history : Ioculatores and Giullari -- 2. The trecento canterino -- 3. The canterino in the fifteenth century. -- Part II : Cantare ad lyrum : the humanist tradition -- 4. Florence : from canterino to cantare ad lyram -- 5. Cantare ad lyram and humanist education -- 6. Cantare ad lyram in the courts -- 7. Rome : Cantare ad lyram at the summit. -- Epilogue : The sixteenth century.
Anmärkning bestånd: B32.794 Libris-ID: ht49kq3cf6xwn52dSummary: "A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano"-- Provided by publisher.
List(s) this item appears in: Musiklitteratur sommaren och hösten 2020
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Book Musik- och teaterbiblioteket
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B32.794 Available 26201864030
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Innehåller bibliografiska referenser (s. 423-460) och index

Part I : The canterino tradition -- 1. Early history : Ioculatores and Giullari -- 2. The trecento canterino -- 3. The canterino in the fifteenth century. -- Part II : Cantare ad lyrum : the humanist tradition -- 4. Florence : from canterino to cantare ad lyram -- 5. Cantare ad lyram and humanist education -- 6. Cantare ad lyram in the courts -- 7. Rome : Cantare ad lyram at the summit. -- Epilogue : The sixteenth century.

"A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano"-- Provided by publisher.

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