Performing knowledge : twentieth-century music in analysis and performance / Daphne Leong ; with Alejandro Cremaschi [and others].

Av: Leong, Daphne [aut]
Medverkande: Cremaschi, Alejandro [ctb]
Language: English Serie: Oxford studies in music theory: Publisher: New York : Oxford University Press, [2019]Copyright date: ©2019Beskrivning: xviii, 412 sidor illustrationer, musiknoter, tabeller 26 cmInnehållstyp: text Mediatyp: unmediated Bärartyp: volumeISBN: 9780190653545Annan titel: Performing knowledge : 20th-century music in analysis & performance [Cover title]Ämne(n): 1900-talet | Musik | Musikanalys | Reception | MusikframträdandenDDK-klassifikation: 780.904
Anmärkning:
Innehåller bibliografiska referenser och index.
Anmärkning:
Theme : Performers, structure, and ways of knowing -- Counterpoint : Cross-disciplinary collaboration -- Variations. Performance [to] analysis. Determination of structure : Performers' voices on Ravel's Concerto pour la main gauche / with David Korevaar, pianist. Creation of structure : Interpreting Schoenberg's Klavierstück, op. 19, no. 4 / with Hunter Ewen, composer. Understanding of structure : Performed rhythm at the center of Bartók's Fifth string quartet / with the Takács Quartet ; Analysis [to] performance. Story in structure : Schnittke's Piano quartet and "the attempt to remember" / with Judith Glyde, cellist. Poetry in structure : Counterpointing motion in Milhaud's "Aurore" / with Adam Ewing, baritone. Drama in structure : Enacting ritual and drama : the two pianos of Messiaen's Visions de l'Amen / with Alejandro Cremaschi, pianist ; Performance & analysis. Script versus structure : Virtuosity in Babbitt's Lonely flute, with reflections on process / with Elizabeth McNutt, flutist. Performing with structure : Local frictions and long-range connections in Carter's Changes for guitar / Jonathan Leathwood, guitarist ; with Leong. Reception and structure : Morris's Clear sounds, audiences, and new music / with Robert Morris, composer -- Counterpoint : Cross-disciplinary collaboration -- Theme : Performers, structure, and ways of knowing.
Anmärkning bestånd: B32.803 Libris-ID: 6jvxp8154zlmxmxk
List(s) this item appears in: Musiklitteratur sommaren och hösten 2020
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Book Musik- och teaterbiblioteket
Plan 5
B32.803 Available 26201864018
Total holds: 0

Innehåller bibliografiska referenser och index.

Theme : Performers, structure, and ways of knowing -- Counterpoint : Cross-disciplinary collaboration -- Variations. Performance [to] analysis. Determination of structure : Performers' voices on Ravel's Concerto pour la main gauche / with David Korevaar, pianist. Creation of structure : Interpreting Schoenberg's Klavierstück, op. 19, no. 4 / with Hunter Ewen, composer. Understanding of structure : Performed rhythm at the center of Bartók's Fifth string quartet / with the Takács Quartet ; Analysis [to] performance. Story in structure : Schnittke's Piano quartet and "the attempt to remember" / with Judith Glyde, cellist. Poetry in structure : Counterpointing motion in Milhaud's "Aurore" / with Adam Ewing, baritone. Drama in structure : Enacting ritual and drama : the two pianos of Messiaen's Visions de l'Amen / with Alejandro Cremaschi, pianist ; Performance & analysis. Script versus structure : Virtuosity in Babbitt's Lonely flute, with reflections on process / with Elizabeth McNutt, flutist. Performing with structure : Local frictions and long-range connections in Carter's Changes for guitar / Jonathan Leathwood, guitarist ; with Leong. Reception and structure : Morris's Clear sounds, audiences, and new music / with Robert Morris, composer -- Counterpoint : Cross-disciplinary collaboration -- Theme : Performers, structure, and ways of knowing.

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