John Cage and Peter Yates : correspondence on music criticism and aesthetics / Martin Iddon.

Av: Iddon, Martin, 1975- [aut]
Language: English Serie: Music since 1900: Publisher: Cambridge : Cambridge University Press, 2020Copyright date: ©2020Utgåva: First published 2020Beskrivning: xix, 310 sidor 26 cmInnehållstyp: text Mediatyp: unmediated Bärartyp: volumeISBN: 9781108480062Ämne(n): Cage, John, 1912-1992 | Yates, Peter, 1909-1976 | 1900-talet | Korrespondens | Musikkritik | Musikestetik | Musikfilosofi | Förenta staternaGenre/Form: KorrespondensDDK-klassifikation: 780.92 SAB-klassifikation: Ijz
Anmärkning:
Innehåller bibliografiska referenser och index.
Anmärkning bestånd: B32.990 Libris-ID: drn5ngx7b1mbd9rzSummary: "The correspondence between composer John Cage and Peter Yates represents the third and final part of Cage's most significant exchanges of letters, following those with Pierre Boulez and with David Tudor. Martin Iddon's book is the first volume to collect the complete extant correspondence with his critical friend, thus completing the 'trilogy' of Cage correspondence published by Cambridge. By bringing together more than 100 letters, beginning in 1940 and continuing until 1971, Iddon reveals the dialogue within which many of Cage's ideas were first forged and informed, with particular focus on his developing attitudes to music criticism and aesthetics. The correspondence with Yates represents precisely, in alignment with Cage's fastidious neatness, the part of his letter writing in which he engages most directly with the last part of his famous tricolon, 'composing's one thing, performing's another, listening's a third'"-- Provided by publisher.
List(s) this item appears in: Musiklitteratur vintern 2020
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Book Musik- och teaterbiblioteket
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B32.990 Available 26201861106
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Innehåller bibliografiska referenser och index.

"The correspondence between composer John Cage and Peter Yates represents the third and final part of Cage's most significant exchanges of letters, following those with Pierre Boulez and with David Tudor. Martin Iddon's book is the first volume to collect the complete extant correspondence with his critical friend, thus completing the 'trilogy' of Cage correspondence published by Cambridge. By bringing together more than 100 letters, beginning in 1940 and continuing until 1971, Iddon reveals the dialogue within which many of Cage's ideas were first forged and informed, with particular focus on his developing attitudes to music criticism and aesthetics. The correspondence with Yates represents precisely, in alignment with Cage's fastidious neatness, the part of his letter writing in which he engages most directly with the last part of his famous tricolon, 'composing's one thing, performing's another, listening's a third'"-- Provided by publisher.

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