Music and musicians at the collegiate church of St Omer : crucible of song, 1350-1550 / Andrew Kirkman.

Av: Kirkman, Andrew, 1961- [aut]
Language: English Publisher: Cambridge : Cambridge University Press, 2020Copyright date: ©2020Utgåva: First published 2020Beskrivning: xvii, 311 sidor illustrationer, frontespis 25 cmInnehållstyp: text Mediatyp: unmediated Bärartyp: volumeISBN: 9781108839723Ämne(n): 1300-talet | 1400-talet | 1500-talet | Religiös musik | Kyrkomusik | Romersk-katolsk kyrkomusik | Medeltidsmusik | Renässansmusik | Saint Omer (Pas-de-Calais) | FrankrikeDDK-klassifikation: 780.902 SAB-klassifikation: Ijsaa
Anmärkning:
Innehåller bibliografiska referenser och index.
Anmärkning:
Prologue: Saint-Omer and the Growth of Urban Power -- 1. The Maîtrise -- 2. Identities and Career Patterns -- 3. Masters and Master Singers -- 4. The Organs -- 5. The Bells -- 6. Loose Canons? Music and the Craft of Ecclesiastical Power -- Epilogue: A Cloistered Art: Connoisseurship and Private Music-making -- Appendix: Documents Pertaining to the Suppression of Benefices for the Upkeep of the Master and Choirboys.
Anmärkning bestånd: B33.113 Libris-ID: cq2pltrn9xq6wn4tSummary: "Music played an exceptionally important role in the late Middle Ages - articulating people's social, psychological and eschatological needs. The process began with the training of choirboys whose skill was key to institutional identity. That skill was closely cultivated and directly sought by kings and emperors, who intervened directly in recruitment of choirboys and older singers in order to build and articulate their self-image and perceived status. Using the documentation of an exceptionally well preserved archive, this book focuses on music's functioning in an important church in late Medieval Northern France. It explores a period when musicians from this region set the agenda across Europe, developing what is still some of the most sophisticated music in the Western musical tradition. The book allows a close focus not on the great achievements of those who cultivated this music, but on the personal motivations that shaped their life and work"-- Provided by publisher.
List(s) this item appears in: Musiklitteratur vintern 2020
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Book Musik- och teaterbiblioteket
Plan 5
B33.113 Available 26201870002
Total holds: 0

Innehåller bibliografiska referenser och index.

Prologue: Saint-Omer and the Growth of Urban Power -- 1. The Maîtrise -- 2. Identities and Career Patterns -- 3. Masters and Master Singers -- 4. The Organs -- 5. The Bells -- 6. Loose Canons? Music and the Craft of Ecclesiastical Power -- Epilogue: A Cloistered Art: Connoisseurship and Private Music-making -- Appendix: Documents Pertaining to the Suppression of Benefices for the Upkeep of the Master and Choirboys.

"Music played an exceptionally important role in the late Middle Ages - articulating people's social, psychological and eschatological needs. The process began with the training of choirboys whose skill was key to institutional identity. That skill was closely cultivated and directly sought by kings and emperors, who intervened directly in recruitment of choirboys and older singers in order to build and articulate their self-image and perceived status. Using the documentation of an exceptionally well preserved archive, this book focuses on music's functioning in an important church in late Medieval Northern France. It explores a period when musicians from this region set the agenda across Europe, developing what is still some of the most sophisticated music in the Western musical tradition. The book allows a close focus not on the great achievements of those who cultivated this music, but on the personal motivations that shaped their life and work"-- Provided by publisher.

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