The Oxford handbook of dance and reenactment / edited by Mark Franko.

Medverkande: Franko, Mark, 1946- [edt]
Language: English Publisher: New York, NY : Oxford University Press, 2020Copyright date: ©2017Beskrivning: xx, 656 sidor illustrationerInnehållstyp: text Mediatyp: unmediated Bärartyp: volumeISBN: 9780197533895Ämne(n): Koreografi | Dans | Konstnärlig dans | Dansundervisning | Dans -- Historia | ÅterskapandeDDK-klassifikation: 792.809 SAB-klassifikation: Iky Anmärkning bestånd: B33.050 Libris-ID: drpjcg6sb9mk19stSummary: Starting from differences between reenactment and the more established practice of historical reconstruction, leading practitioners and theorists ask how the notion of preservation and representation associated with reconstruction is transformed by reenactment into historical experience and affective relation to the past in the present. In other terms: How does dance convey historical meaning through sensuous form? Danced reenactment poses the problem of history and historicity in relation to the troubled temporality inherent to dance itself. Ephemerality as the central trope of dance is hence displaced in favor of dance as a reiterative practice that confounds categories of chronological time and opens up a theoretical space of history that is often invisibilized by ideologies of immediacy traditionally attributed to dancing.
List(s) this item appears in: Danslitteratur 2021
Item type Current location Call number Status Date due Barcode Item holds
Book Musik- och teaterbiblioteket
Plan 5
B33.050 Available 26201870034
Total holds: 0

Starting from differences between reenactment and the more established practice of historical reconstruction, leading practitioners and theorists ask how the notion of preservation and representation associated with reconstruction is transformed by reenactment into historical experience and affective relation to the past in the present. In other terms: How does dance convey historical meaning through sensuous form? Danced reenactment poses the problem of history and historicity in relation to the troubled temporality inherent to dance itself. Ephemerality as the central trope of dance is hence displaced in favor of dance as a reiterative practice that confounds categories of chronological time and opens up a theoretical space of history that is often invisibilized by ideologies of immediacy traditionally attributed to dancing.

Musik- och teaterbiblioteket
Besöksadress: Torsgatan 19, plan 5, Stockholm
exp@musikverket.se / 08-519 554 12