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I don't like the blues : race, place, & the backbeat of Black life / B. Brian Foster.

Av: Foster, B. Brian (Bruce O'Brian) [aut]
Language: English Publisher: Chapel Hill, NC : The University of North Carolina Press, [2020]Copyright date: ©2020Beskrivning: [xii], 193 sidor kartor, tabeller 24 cmInnehållstyp: text Mediatyp: unmediated Bärartyp: volumeISBN: 9781469660424Annan titel: I don't like the blues : race, place, and the backbeat of Black lifeÄmne(n): Blues | Afro-amerikaner | Samhällsliv | Demografi | Förenta staterna -- Mississippi (delstat)DDK-klassifikation: 781.64309 SAB-klassifikation: Ijxf
Anmärkning:
Innehåller bibliografiska referenser och index.
Anmärkning:
Prelude -- Introduction -- Hard...make it easy -- We ain't that no mo' -- That's for the white folks -- You just get tired of it -- Conclusion -- Coda.
Anmärkning bestånd: B33.326 Libris-ID: hww5qj6gfrw36v4vSummary: "In this illuminating work, Foster takes us where not many blues writers and scholars have gone: into the homes, memories, speculative visions, and lifeworlds of black folks in contemporary Mississippi to hear what they have to say about the blues and all that has come about since their forebears first sang them. In so doing, Foster urges us to think differently about race, place, and community development and models a different way of hearing the sounds of Black life, a method that he calls 'listening for the backbeat'"-- Provided by publisher.
List(s) this item appears in: Musiklitteratur sommaren och hösten 2021
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Book Musik- och teaterbiblioteket
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B33.326 Available 26201868033
Total holds: 0

Innehåller bibliografiska referenser och index.

Prelude -- Introduction -- Hard...make it easy -- We ain't that no mo' -- That's for the white folks -- You just get tired of it -- Conclusion -- Coda.

"In this illuminating work, Foster takes us where not many blues writers and scholars have gone: into the homes, memories, speculative visions, and lifeworlds of black folks in contemporary Mississippi to hear what they have to say about the blues and all that has come about since their forebears first sang them. In so doing, Foster urges us to think differently about race, place, and community development and models a different way of hearing the sounds of Black life, a method that he calls 'listening for the backbeat'"-- Provided by publisher.

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