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Michael Chekhov technique in the twenty-first century : new pathways / edited by Cass Fleming and Tom Cornford.

Medverkande: Fleming, Cass [edt] | Cornford, Tom [edt]Language: English Publisher: London : Methuen Drama, 2020Beskrivning: x, 208 sidor illustrationerInnehållstyp: text Mediatyp: unmediated Bärartyp: volumeISBN: 9781474273183Ämne(n): Čechov, Michail Aleksandrovič, 1891-1955 | 2000-talet | SkådespelarkonstDDK-klassifikation: 792.028 SAB-klssifikation: Ikad | Ikz Čechov, Michail Aleksandrovič Onlineresurser: Omslagsbild
Anmärkning:
Innehåller bibliografiska referenser och index
Anmärkning:
"Theatre of the future". Chekhov technique for devised theatre and catalyst direction / Cass Fleming -- Actor-dramaturgs and atmospheric dramturgies: Chekhov technique in processes of collaborative playwriting / Tom Cornford -- The expressive voice in performance: Chekhov's techniques for voice and singing / Daron Cram -- "The moment you are not inwardly moving and inwardly participating, you are dead": Chekhov technique in actor-movement and dance / Roanna Mitchell -- Feeling space, making space: Michael Chekhov's approach to theatre design / Sinéad Rushe -- "If the new theatre is to have meaning, the audience too must play its part": Chekhov technique in applied, therapeutic and community contexts / Caoimhe McAvinchey
Anmärkning bestånd: B33.965 Libris-ID: s6hk9lmtqzd8sh0jSummary: The culmination of an innovative practice research project, Michael Chekhov in the Twenty-First Century: New Pathways draws on historical writings and archival materials to investigate how Chekhov's technique can be used across the disciplines of contemporary performance and applied practice.??In contrast to the narrow, actor training-only analysis that dominated 20th-century explorations of the technique, authors Cass Fleming and Tom Cornford, along with contributors Caoimhe McAvinchey, Roanna Mitchell, Daron Oram and Sinéad Rushe, focus on devising, directing and collective creation, dramaturgy and collaborative playwriting, scenography, voice, movement and dance, as well as socially engaged and therapeutic practices, all of which are at the forefront of international theatre-making.??The book collectively offers a thorough and fascinating investigation into new uses of Michael Chekhov's technique, providing practical strategies and principles alongside theoretical discussion
List(s) this item appears in: Teaterlitteratur vintern 2022
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Book Musik- och teaterbiblioteket
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B33.965 Available 26201877134
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Innehåller bibliografiska referenser och index

"Theatre of the future". Chekhov technique for devised theatre and catalyst direction / Cass Fleming -- Actor-dramaturgs and atmospheric dramturgies: Chekhov technique in processes of collaborative playwriting / Tom Cornford -- The expressive voice in performance: Chekhov's techniques for voice and singing / Daron Cram -- "The moment you are not inwardly moving and inwardly participating, you are dead": Chekhov technique in actor-movement and dance / Roanna Mitchell -- Feeling space, making space: Michael Chekhov's approach to theatre design / Sinéad Rushe -- "If the new theatre is to have meaning, the audience too must play its part": Chekhov technique in applied, therapeutic and community contexts / Caoimhe McAvinchey

The culmination of an innovative practice research project, Michael Chekhov in the Twenty-First Century: New Pathways draws on historical writings and archival materials to investigate how Chekhov's technique can be used across the disciplines of contemporary performance and applied practice.??In contrast to the narrow, actor training-only analysis that dominated 20th-century explorations of the technique, authors Cass Fleming and Tom Cornford, along with contributors Caoimhe McAvinchey, Roanna Mitchell, Daron Oram and Sinéad Rushe, focus on devising, directing and collective creation, dramaturgy and collaborative playwriting, scenography, voice, movement and dance, as well as socially engaged and therapeutic practices, all of which are at the forefront of international theatre-making.??The book collectively offers a thorough and fascinating investigation into new uses of Michael Chekhov's technique, providing practical strategies and principles alongside theoretical discussion

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