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Sounds from within : phenomenology and practice / Paulo C. Chagas, Jiayue Cecilia Wu, editors.

Medverkande: Chagas, Paulo C [edt] | Wu, Jiayue Cecilia [edt]Language: English Series: Numanities - arts and humanities in progress ; 18Publisher: Cham, Switzerland : Springer, [2021]Copyright date: ©2021Beskrivning: x, 252 pages illustrations (some color) 25 cmInnehållstyp: text Mediatyp: unmediated Bärartyp: volumeISBN: 3030725065; 9783030725068Ämne(n): Musik | Ljud | Fenomenologi | Phenomenology and music | Sound (Philosophy) | Sound (Philosophy) | Phenomenology and musicDDK-klassifikation: 780.1 LC-klassifikation: ML3800
Anmärkning:
Sound, truth and paradigm / Paul C. Chagas -- Existential semiotics and its application to music: the zemic theory and its birth from the spirit of music / Eero Tarasti -- The qualities and flow of imagined sound and music / Chris Chafe -- Decoding imagined sound / Lloyd May and Michael Casey -- Music, listener and extramusical experience / Ulrika Varankaite -- In quest of the sonic self: sound as expression of the performer's individuality / Lina Navickaite-Martinelli -- The notion of "sound" in popular music / Dario Martinelli -- Experiencing embodied sonic meditation through body, voice, and multimedia arts / Jiayue Cecilia Wu -- Sonic imagination: body, visual mental imagery, and nomadism / Luca Forcucci
Anmärkning bestånd: EMS : G2 | B33.594 Libris-ID: p4sj8kv2mfmp17lhSummary: This book transforms phenomenology, music, technology, and the cultural arts from within. Gathering contributions by performing artists, media technology designers, nomadic composers, and distinguished musicological scholars, it explores a rich array of concepts such as embodiment, art and technology, mindfulness meditation, time and space in music, self and emptiness, as well as cultural heritage preservation. It does so via close studies on music phenomenology theory, works involving experimental music and technology, and related cultural and historical issues. This book will be of considerable interest to readers from the fields of sound studies, science and technology studies, phenomenology, cultural studies, media studies, and sound art theory. This book is equally relevant and insightful for musicians, composers, media artists, sound artists, technology designers, and curators and arts administrators from the performing and visual arts.
List(s) this item appears in: EMS litteratur och musik 2022
Holdings
Item type Current library Call number Materials specified Status Date due Barcode Item holds
Book Musik- och teaterbiblioteket
Öppen samling
B33.594 Available 26201867102
Book Musik- och teaterbiblioteket
Elektronmusikstudion EMS
EMS : G2 Available (Längre framtagningstid) 26201871347
Total holds: 0

Includes bibliographical references and index

Sound, truth and paradigm / Paul C. Chagas -- Existential semiotics and its application to music: the zemic theory and its birth from the spirit of music / Eero Tarasti -- The qualities and flow of imagined sound and music / Chris Chafe -- Decoding imagined sound / Lloyd May and Michael Casey -- Music, listener and extramusical experience / Ulrika Varankaite -- In quest of the sonic self: sound as expression of the performer's individuality / Lina Navickaite-Martinelli -- The notion of "sound" in popular music / Dario Martinelli -- Experiencing embodied sonic meditation through body, voice, and multimedia arts / Jiayue Cecilia Wu -- Sonic imagination: body, visual mental imagery, and nomadism / Luca Forcucci

This book transforms phenomenology, music, technology, and the cultural arts from within. Gathering contributions by performing artists, media technology designers, nomadic composers, and distinguished musicological scholars, it explores a rich array of concepts such as embodiment, art and technology, mindfulness meditation, time and space in music, self and emptiness, as well as cultural heritage preservation. It does so via close studies on music phenomenology theory, works involving experimental music and technology, and related cultural and historical issues. This book will be of considerable interest to readers from the fields of sound studies, science and technology studies, phenomenology, cultural studies, media studies, and sound art theory. This book is equally relevant and insightful for musicians, composers, media artists, sound artists, technology designers, and curators and arts administrators from the performing and visual arts.

Imported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)

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