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Staging, playing, pyrotechnics and magic : conventions of performance in early English theatre : shifting paradigms in early English drama studies / Philip Butterworth ; edited by Peter Harrop.

Av: Butterworth, Philip [aut]Medverkande: Harrop, Peter [edt]Language: English Series: Variorum collected studies seriesPublisher: Abingdon ; New York ; Routledge, 2022Beskrivning: xiii, 346 sidor illustrationerInnehållstyp: text Mediatyp: unmediated Bärartyp: volumeISBN: 9781032050362Ämne(n): 1500-talet | Pyroteknik | Scenografi | Teaterteknik | Teaterrekvisita | Festtåg | Teaterproduktion | Skådespelarkonst | Trollkonster | Teater -- historiaDDK-klassifikation: 792.09420903 SAB-klssifikation: Ikb-ea
Anmärkning:
Part 1: Staging and Staging Conventions. 1. 'The York Mercers' Pageant Vehicle, 1433-1467: Wheels, Steering, and Control', Medieval English Theatre, 1:2 (1979), 72-81 -- 2. 'Hugh Platte’s Collapsible Wagon', Medieval English Theatre, 15 (1995 [for 1993]), 129-39 -- 3. 'Pageant Carriage Maintenance at Chester', Medieval English Theatre, 39 (2018 for 2017), 5-34 -- 4. 'Jetties, Pentices, Purprestures and Ordure: Obstacles to Pageants and Processions in London', Medieval English Theatre, 41 (2020), 166-190 -- 5. (with Michael Spence), 'The work of William Parnell, supplier of staging and ingenious devices, and his role in the visit of Elizabeth Woodville to Norwich in 1469', Medieval English Theatre, 40 (2019), 7-65 -- Part 2: Playing Conventions. 6. 'The York Crucifixion: Actor/Audience Relationship', Medieval English Theatre, 14 (1994), 67-76 -- 7. ''Jean Fouquet's 'The Martyrdom of St Apollonia' and 'The Rape of the Sabine Women' as Iconographical Evidence of Medieval Theatre Practice', Essays in Honour of Peter Meredith, Leeds Studies in English, 29 (1998), 55-67 -- 8. 'Richard Carew's Ordinary: the First English Director' in The Narrator, the Expositor, and the Prompter in European Medieval Theatre, ed. by Philip Butterworth, Medieval Texts and Cultures of Northern Europe (Turnout, Belgium: Brepols Publishers, 2007), 329-345 -- 9. 'Prompting in Full View of the Audience: The Groningen Experiment', Medieval English Theatre, 23 (2002 [for 2001]), 122-71 -- Part 3: Pyrotechnics -- 10. 'Hellfire: Flame as Special Effect' in The Iconography of Hell, ed. by Clifford Davidson and Thomas H. Seiler, Early Drama, Art, and Music Monograph Series, 17 (Western Michigan University: Medieval Institute, Kalamazoo, Michigan, 1992), 67-101 -- 11. 'The Light of Heaven: Flame as Special Effect' in The Iconography of Heaven, ed. by Clifford Davidson, Early Drama, Art, and Music Monograph Series, 21 (Western Michigan University: Medieval Institute, Kalamazoo, Michigan, 1994), 128-45 -- 12. The Providers of Pyrotechnics in Plays and Celebrations' in Material Culture and Early Drama, ed. by Clifford Davidson, Early Drama, Art, and Music Monograph Series (Western Michigan University: Medieval Institute, Kalamazoo, Michigan, 1999), 59-74 -- Part 4: Magic -- 13. 'Juggling and Staging Tricks in Early Theatre' in ‘Mainte belle œuvre faicte’, Études sur le théâtre médiéval offertes à professeur Graham A. Runnalls (Orléans: Paradigme, 2005), 39-63 -- 14. 'Brandon, Feats and Hocus Pocus: Jugglers Three', Theatre Notebook, 57:2 (2003), 89-106 -- 15. 'Hocus Pocus Junior: Further Confirmation of its Author', Theatre Notebook, 68:3 (2014), 130-135 -- Postlude. 16. 'Is there any Further Value to be Gained from Re-Staging Medieval Theatre?', Research Opportunities in Renaissance Drama, 43 (2004), 1-11
Anmärkning bestånd: B33.795 Libris-ID: 3jcpxx891rqt8b0h
Holdings
Item type Current library Call number Materials specified Status Date due Barcode Item holds
Book Musik- och teaterbiblioteket
Öppen samling
B33.795 Available 26201868809
Total holds: 0

Part 1: Staging and Staging Conventions. 1. 'The York Mercers' Pageant Vehicle, 1433-1467: Wheels, Steering, and Control', Medieval English Theatre, 1:2 (1979), 72-81 -- 2. 'Hugh Platte’s Collapsible Wagon', Medieval English Theatre, 15 (1995 [for 1993]), 129-39 -- 3. 'Pageant Carriage Maintenance at Chester', Medieval English Theatre, 39 (2018 for 2017), 5-34 -- 4. 'Jetties, Pentices, Purprestures and Ordure: Obstacles to Pageants and Processions in London', Medieval English Theatre, 41 (2020), 166-190 -- 5. (with Michael Spence), 'The work of William Parnell, supplier of staging and ingenious devices, and his role in the visit of Elizabeth Woodville to Norwich in 1469', Medieval English Theatre, 40 (2019), 7-65 -- Part 2: Playing Conventions. 6. 'The York Crucifixion: Actor/Audience Relationship', Medieval English Theatre, 14 (1994), 67-76 -- 7. ''Jean Fouquet's 'The Martyrdom of St Apollonia' and 'The Rape of the Sabine Women' as Iconographical Evidence of Medieval Theatre Practice', Essays in Honour of Peter Meredith, Leeds Studies in English, 29 (1998), 55-67 -- 8. 'Richard Carew's Ordinary: the First English Director' in The Narrator, the Expositor, and the Prompter in European Medieval Theatre, ed. by Philip Butterworth, Medieval Texts and Cultures of Northern Europe (Turnout, Belgium: Brepols Publishers, 2007), 329-345 -- 9. 'Prompting in Full View of the Audience: The Groningen Experiment', Medieval English Theatre, 23 (2002 [for 2001]), 122-71 -- Part 3: Pyrotechnics -- 10. 'Hellfire: Flame as Special Effect' in The Iconography of Hell, ed. by Clifford Davidson and Thomas H. Seiler, Early Drama, Art, and Music Monograph Series, 17 (Western Michigan University: Medieval Institute, Kalamazoo, Michigan, 1992), 67-101 -- 11. 'The Light of Heaven: Flame as Special Effect' in The Iconography of Heaven, ed. by Clifford Davidson, Early Drama, Art, and Music Monograph Series, 21 (Western Michigan University: Medieval Institute, Kalamazoo, Michigan, 1994), 128-45 -- 12. The Providers of Pyrotechnics in Plays and Celebrations' in Material Culture and Early Drama, ed. by Clifford Davidson, Early Drama, Art, and Music Monograph Series (Western Michigan University: Medieval Institute, Kalamazoo, Michigan, 1999), 59-74 -- Part 4: Magic -- 13. 'Juggling and Staging Tricks in Early Theatre' in ‘Mainte belle œuvre faicte’, Études sur le théâtre médiéval offertes à professeur Graham A. Runnalls (Orléans: Paradigme, 2005), 39-63 -- 14. 'Brandon, Feats and Hocus Pocus: Jugglers Three', Theatre Notebook, 57:2 (2003), 89-106 -- 15. 'Hocus Pocus Junior: Further Confirmation of its Author', Theatre Notebook, 68:3 (2014), 130-135 -- Postlude. 16. 'Is there any Further Value to be Gained from Re-Staging Medieval Theatre?', Research Opportunities in Renaissance Drama, 43 (2004), 1-11

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